Tag: Agostino Tassi

“It’s True, It’s True, It’s True” at The Breach Theatre

Posted by Aleks Sierz | 25th Apr 2020 | Documentary Theatre, Review, Theatre and Film, United Kingdom

Artemisia Gentileschi definitely had a hard time. Although she was an outstanding Renaissance...

Read More

The Modern Woman In “Artemisia’s Intent”

Posted by Marcina Zaccaria | 26th Oct 2018 | New York, Review, Theatre and Art, Theatre and Gender, United States of America

The Anthropologists reach deep into their own doctrine to discover the depth behind the classic...

Read More

The Glorious Anger Of “Leda And The Rage”

Posted by Arts Equator | 18th Jun 2018 | Review, Singapore, Theatre and Art, Theatre and Gender

Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

In “The Aquarium” Nina Plavanjac Turns Family Memory… by Emiliia Dementsova 12th May 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026
A Magical “Tempest” In Stratford-Upon-Avon by Margaret Rose 26th June 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026

Recent Posts

A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen 6th July 2026
“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space 6th July 2026
A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest