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Polish-American Migrant Theatre: Teatr NASZ From Chicago On Tour In Florida

Posted by Aleksandra M. Różalska | 18th Feb 2025 | Poland, Transcultural Collaborations, United States of America

…Tomasz Obara, „Gąska, czyli gwiazda,” Encyklopedia Teatru Polskiego. https://encyklopediateatru.pl/artykuly/321585/gaska-czyli-gwiazda, accessed: 17.09.2024. ↑6 Leszek Zieliński, “Recenzja sztuki Gąska w Polish American Club in Hudson, FL.” https://www.facebook.com/groups/polacywtampabayinaflorydzie/permalink/7562679020441957/, 24.04.2024, accessed: 17.09.2024. ↑7 https://www.teatrstudio.lt/category/festiwale/wilenskie-spotkania-sceny-polskiej/….

Mark Rosenblatt’s “Giant” in Barcelona

Posted by Maria Delgado | 5th Aug 2025 | Festivals, Review, Spain

…role. He hovers at the margins of the room in Act 1, as if hesitating to get too close physically. He isn’t however afraid to raise his to voice to…

Making a Film on Santiago’s Streets: “Efectos especiales” at Santiago a Mil

Posted by Maria Delgado | 19th Jan 2024 | Chile, Review, Santiago a Mil 2024

…Acuña — founder-director with the late Luis Biasotto of the innovative dance-theatre company, Grupo Krapp — , hovers close by. A camera is set up and a camera operator, the…

“All Of It” at The Royal Court, London

Posted by Verity Healey | 14th Jun 2023 | London, Review, United Kingdom

…violence hovering just under the surface as her voice-over describes a stain that has appeared on one of the walls and tells of the protagonist’s various attempts to get it…

Institutional Logic Of The System: Young Artists Are Excluded From Public Funding. An Interview With Franco Ungaro

Posted by Ivanka Apostolova Baskar | 6th Sep 2023 | Interview, Italy, Management

…shows from our repertoire. I started reading the works of your writers and fell in love with your literature (Ivo Andric and Danilo Kis above all). Among my long-term projects,…

Streaming Shows

Posted by Maria Delgado | 8th Apr 2020 | News, Worldwide

…including opera, musicals, new writing, fringe and commercial works from countries including Chile, the USA, Poland, France, Germany and the UK – here are a few options that The Theatre…

New Play “American Signs” Looks At The Nefarious World Of Consultancies – But Leaves Australia Off The Hook

Posted by Alana Lentin | 3rd Jul 2024 | Review, Theatre and Politics, United States of America

…be seen as uniquely American signs, to riff on the title. Problems can be looked upon from the Australian vantage point as happening “over there.” This raises at least two…

There Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre

Posted by Ivanka Apostolova Baskar | 5th Feb 2025 | Playwriting, Slovenia, Theatre and Gender

…European Corpses; 5Boys.si … More references about the playwright on her official website. https://www.simonasemenic.org/ Ivanka Apostolova Baskar: Do you accept the label that you are a feminist playwright? And…

Тim Rice – 80: The Нero and His Many Anniversaries. Part II

Posted by Lisa Monde | 7th Feb 2025 | Dramaturgy, Interview, Musical Theatre, United States of America

…to perform Aladdin. That’s great. Sir Tim Rice, EGOT/ Photo from Tim Rice’s personal archive/ http://www.timrice.co.uk/bio Tim Rice is still actively working today, and he is no stranger to…

Regional Producing Theatres In England. Leeds Playhouse: A Case Study

Posted by Dave Stannard | 22nd Oct 2024 | Essay, Management, United Kingdom

…plays, from Racine to Rattigan. Shakespeare plays are also seen as essential, and not just because of school party income. ‘Big names’ help here; as early as 1974 the Playhouse…

Programme 2

Posted by Conceptualised and directed by William Kentridge, based on texts by Franz Kafka, Vladimir Mayakovsky, and William Shakespeare, Centre for the Less Good Idea (2020), South Africa | 16th May 2000 | IOTF 2020: Extended

…Shakespearean soliloquy all occupy the world of the Pepper’s Ghost. ODRADEK Live performance, projected imagery, and responsive music come together to shape the Pepper’s Ghost performance of Odradek. Using Franz…

“Pericles” – An Odyssey from Timișoara

Posted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia

…can rarely make up for the physical limitations of the stage and theatre venue. However, in the Shakespearean positive spirit, nothing is truly impossible – Philip Parr (director) and Dálnoky…

The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”

Posted by Maria Delgado | 21st Dec 2023 | Management, Review, Spain, Theatre and Politics

The relationship between theatre and life has been pervaded the work of dramatists from Shakespeare to Maria Irene Fornes. The porosity of the relationship, the boundaries and fissures of the…

Acting Coach Bettina Lohmeyer In Conversation With Florentina Bratfanof: ”I Was Surprised To See Romanian Actors Were So Open”

Posted by Florentina Bratfanof | 31st Aug 2022 | Acting, Germany, Interview, Romania

…dialogues and feedback after each edition. FB: Even if in our Self Tape Workshop, we are always using tools and principles from Susan Batson, as you have been acting coach…

New Buds on a Fertile Island: New Play Development in Taiwan, Part 1

Posted by Kuan-Ting Lin | 11th Jul 2024 | Dramaturgy, News, Playwriting, Taiwan

…1964. These two institutions, among others, have changed the scene of playwriting in the UK and US respectively. However, in Taiwan, most playwrights had been writing in isolation until recent…

XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre

Posted by Alexander Fatouros | 20th May 2021 | Interview, New York, Theatre and AI, Theatre and Art, Transmedia, United States of America

…affectionately called, considered Yoo Duk Hyung to be her son. She had many artistic children but her relationship with Yoo Duk Hyung was special. In 2009 as we launched CultureHub,…

I Am Not Afraid For The Future Of The Theatre

Posted by Ivanka Apostolova Baskar | 2nd Apr 2025 | Croatia, Interview, Transcultural Collaborations, Translation

…performances, impeccable directing by Croatian and foreign-guest directors working with Croatian ensembles? What is the purpose and feedback of theatrical showcases that lack the festival element – awards? ZT: As…

Immersive Opera “Laila” at the 50th Hong Kong Arts Festival

Posted by Jingyi Zhang | 16th May 2021 | Hong Kong, Review, Theatre and AI, Theatre and Opera, Transmedia

…and interactions. Then, these feed into speech and movement data in real-time. Audiences will carry a portable speaker and are first asked to record a voice sample. The data set…

“Miss Saigon”: Déjà vu. An exclusive interview with Claude-Michel Schönberg

Posted by Lisa Monde | 21st May 2024 | France, Interview, Musical Theatre

…are doing it because they need to survive and that is what they need to do, to feed their families, and earn money. And even in the first song The…

“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.

Posted by Emily Cordes | 4th Jan 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America

…you’d like to see? BN: I’m excited to continue developing and workshopping this piece over the next year. We got a lot of really great feedback from our reading and…