Lachlan Philpott on the Flux in Australian Programming
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
Read More
Sydney
Amanda Macri on the Need for Storytellers: New Playwriting in Australia
Amanda Macri, General Manager at Playwriting Australia, writes about the broad range of resilient...
Read More
Anthea Williams on Belvoir’s Important New Season
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
Read More
Cristin Kelly Goes from Expat to Expert in 100 Days
American dramaturg, Cristin Kelly, reflects on her personal project, 100 Aussie Plays in 100 Days,...
Read More
Dramaturg Glenn Saunders on the Australian Approach to the Classics
Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...
Read More
“Ganesh Versus The Third Reich” And Actors With Disabilities
This week, Back to Back Theatre‘s 2012 production Ganesh Versus The Third Reich will open at...
Read More
The Experimental “Cadavre Exquis” At Sydney Festival
The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of...
Read More
“Black Diggers” Memorializes Indigenous WWI Soldiers
In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...
Read More
Intercultural Exchanges In “Chi Udaka” At Sydney Festival
There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi...
Read More
Cocteau’s “La Voix Humaine” Telephone Melodrama
An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the...
Read MoreLike Us On Facebook
Most Popular Posts
From Richard To Richard: MITEM 2026 And a Europe in… 14th April 2026 - David Yazbek: The Master of Adapting Films into… 2nd April 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- Michael Frayn’s “Copenhagen” at the Hampstead… 14th April 2026
