The Ephemera of the Cherry Orchard: Agnieszka Kazimierska’s “Katie’s Tales”
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
Read MorePosted by Rhiannon Ling | 18th Oct 2023 | Interview, New York, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
Read MorePosted by Trevor Boffone | 9th Oct 2023 | Dramaturgy, Transmedia, United States of America
How do you market theatre on social media? What strategies can a social media manager use to...
Read MorePosted by Heather Waters | 6th Oct 2023 | Boston, Interview, United States of America
This is the third of a series of articles to discuss the Dialogue of Civilizations theater...
Read MorePosted by Andrew Agress | 27th Sep 2023 | Immersive Theatre, Interview, New York, United States of America
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
Read MorePosted by Lisa Monde | 24th Sep 2023 | Musical Theatre, New York, Review, United States of America
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
Read MorePosted by Jingyi Zhang | 21st Sep 2023 | News, Theatre and Opera, United States of America
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
Read MorePosted by Trevor Boffone | 21st Sep 2023 | Review, Theatre and Politics, United States of America
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
Read MorePosted by Rhiannon Ling | 13th Sep 2023 | News, Participatory Theatre, Theatre and Politics, United States of America
When it comes to Wild Home: An American Odyssey, the project is best-described by its subtitle....
Read MorePosted by Rhiannon Ling | 2nd Sep 2023 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
It’s no secret that I’m an advocate for feminist, queer theatre. Or that I enjoy worlds of the...
Read MorePosted by Morgan Skolnik | 1st Sep 2023 | Musical Theatre, New York, Review
“We’re not here to make fairytales, we’re here to follow them,” quips the narrator (Adam Godley)...
Read MorePosted by Alexander Fatouros | 28th Jul 2023 | Directing, Interview, New York, Theatre and Film, United States of America
American television and film director Michael Engler is extraordinarily skilled at both comedies...
Read MorePosted by Emily Maiorano | 27th Jul 2023 | Review, Transcultural Collaborations, Translation, United States of America
Directed by Fadi Skeiker with Wilma Hothouse Company favorites, the show’s physical and visual...
Read MorePosted by Rhiannon Ling | 26th Jul 2023 | Devised Theatre, Editorial, New York, Theatre and Decolonization, United States of America
Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a...
Read MorePosted by Rhiannon Ling | 24th Jul 2023 | New York, Review, Theatre and Gender, United States of America
Upon one’s first step into the Players Theatre, one knows exactly what they’re in for. The stage...
Read MorePosted by Lisa Monde | 15th Jul 2023 | Interview, Musical Theatre, New York, United States of America
It has become a beautiful annual tradition: welcoming the musical Notre Dame de Paris at New York...
Read MorePosted by Susanna Sun | 13th Jul 2023 | Chicago, Interview, Musical Theatre, United States of America
For Part I of the interview, click here. Susanna: The play deals with the Asian American topic,...
Read MorePosted by Susanna Sun | 11th Jul 2023 | Chicago, Interview, Musical Theatre, United States of America
A personal interview with the visionary and multi-talented Matthew C. Yee reveals exclusive...
Read MorePosted by Lisa Monde | 24th Jun 2023 | Interview, Theatre and Art, United States of America
Dedicated to the 80th anniversary of the very first publication of Antoine de Saint-Exupéry’s...
Read MorePosted by Morgan Skolnik | 10th Jun 2023 | New York, Review, Theatre and Disability, Theatre and Opera, United States of America
The first notes of Simon McBurney’s production of Mozart’s Die Zauberflöte (The Magic Flute) which...
Read MorePosted by Walter Byongsok Chon | 4th Jun 2023 | Musical Theatre, New York, Review, South Korea, Transcultural Collaborations
KPOP is a new musical, with a book by Jason Kim and music by Helen Park and Max Vernon. It...
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