“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
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United States of America
“Happy Days” at the Mark Taper Forum – Sorrow Keeps Breaking In
“Begin your day, Winnie.” In Samuel Beckett’s Happy Days, Dianne Wiest’s enviable range and...
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Interview with Saviana Stănescu: “One could say that I am a 17-year-old American playwright”
A well-known poet and journalist, Saviana Stănescu left Romania for the US thanks to a Fulbright...
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“The Last Day of the Sun” at In Scena
The In Scena Festival is an ambitious undertaking. Presenting work each year by Italian artists,...
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“King Lear” at Quantum Theatre, Pittsburgh PA
Quantum’s marketing slogan for this season is “theater that moves you,” and its production of...
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“Indecent”: A Play That Deals With Love And Hate In The Past And In Our Time
Boston is privileged to welcome Indecent, Paula Vogel’s and Rebecca Taichman’s adaptation of...
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Transcending Michael Chekhov From the Classroom to the Stage
Of the many precepts in developing a work for the stage, commonly method acting can be of the...
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Retro Productions’ “Mary, Mary”
The makeover story arc is a time-honored Hollywood tradition. Audrey Hepburn made several (Funny...
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Wounds Of Tradition In Huntington’s “Indecent”
The Huntington Theatre Company has given the city of Boston a priceless gift by remounting the...
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“black odyssey:” An Intimate Epic
The poetic epic by Marcus Gardley, black odyssey, presented at the Central Square Theater in a...
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Mass Opera’s Production Of “Die Fledermaus” Is The Life Of The Party
Hilarious, energetic, and engaging, Mass Opera’s Die Fledermaus was pure joy from start to...
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What Schreck’s Endings Mean To Me
Lately, whenever people ask for advice on what theater to see in New York, the show I’ve mentioned...
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“All My Sons” at The Old Vic: Tragedy at The Heart of the American Dream
Superstar Sally Field has come to town. With two academy awards and countless other accolades, the...
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Lola Arias: “Minefield”
Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...
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Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for “King Lear” at Quantum Theatre
Susan Tsu is an advocate for educating costume designers and devotes much of her time to her...
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Susan Stein’s “Etty”
In 1942, responding to the announcement that people of Japanese ancestry on the American west...
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Duchampian Theater: “Paul Swan is Dead and Gone”
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
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Bowled Over: Suzan-Lori Parks’ “White Noise”
Suzan-Lori Parks has written a dark and disturbing allegory about the seemingly impossible dream...
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The Non-Hierarchical Theatre Of Rebecca Wright
Rebecca Wright is a director and devisor based in Philadelphia. She is the co-founder and artistic...
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Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network”
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
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