Ottawa Fringe: “Pinter Stew” – Without In-Depth Knowledge of Pinter’s Theatre This Will Leave You a Bit Lost
Fringe Fest welcomes risk taking and testing the audience, but Pinter Stew by Third Wall Theatre...
Read MorePosted by Ryan Pepper | 14th Jun 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
Fringe Fest welcomes risk taking and testing the audience, but Pinter Stew by Third Wall Theatre...
Read MorePosted by Ryan Pepper | 14th Jun 2019 | Canada, Ottawa Fringe 2019, Review
Sketch comedy is a Fringe mainstay, and the charmingly funny Pack Animals proves why. Created and...
Read MorePosted by Natasha Lomonossoff | 14th Jun 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
Good detective stories are always entertaining, perhaps none more so than Arthur Conan Doyle’s...
Read MorePosted by Alvina Ruprecht | 13th Jun 2019 | Canada, News, Theatre and Politics
Art Babayants, of Armenian origin, has a doctorate in theatre performance, he taught acting in the...
Read MorePosted by Aisling Murphy | 13th Jun 2019 | Canada, Ottawa Fringe 2019, Review
GoFundYourself, presented by Ottawa’s own Black Box Comedy, is a raucous, audience-driven look...
Read MorePosted by Alvina Ruprecht | 12th Jun 2019 | Canada, Review
Mending Fences is a most beautifully constructed play that appears to concern a dysfunctional...
Read MorePosted by Ryan Pepper | 11th Jun 2019 | Canada, Musical Theatre, Review
Orpheus Musical Theatre Society have brought to the stage another light-hearted musical, doing...
Read MorePosted by Patrick Langston | 5th Jun 2019 | Canada, Essay, Transmedia
An abandoned high school in the village of Farrellton, Que., just north of Wakefield, seems an...
Read MorePosted by Alvina Ruprecht | 3rd Jun 2019 | Canada
I naively asked the production team which translation they used for the production since I assumed...
Read MorePosted by Alvina Ruprecht | 28th May 2019 | Canada, Devised Theatre, Review, Transcultural Collaborations
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
Read MorePosted by Ryan Pepper | 27th May 2019 | Canada, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Ryan Pepper | 21st May 2019 | Canada, Review
The NAC’s Between Breaths from St. John’s Artistic Fraud of Newfoundland theatre captures the life...
Read MorePosted by Alvina Ruprecht | 21st May 2019 | Canada, Review
A two-hander by Rose Napoli that has been given a fine production at the GCTC thanks to director...
Read MorePosted by Alvina Ruprecht | 20th May 2019 | Canada, Review
Indecent, written by Paula Vogel, was first produced at the Yale repertory theatre in 2015. This...
Read MorePosted by Ryan Pepper | 7th May 2019 | Canada, Musical Theatre, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Kathleen Gallagher | 3rd May 2019 | Canada, Documentary Theatre, News, Theatre and Age
Today’s young people deserve to be heard. But, because of all of our technological distractions...
Read MorePosted by Alvina Ruprecht | 24th Apr 2019 | Canada, Review, Theatre and Dance
The NAC dance program emphasized the fact that this version of Giselle, the first for the Grands...
Read MorePosted by Patrick Langston | 22nd Apr 2019 | Canada, Review
Life will be different this time,” says young, hopeful Marie-Joseph Angélique at the beginning of...
Read MorePosted by Ryan Pepper | 18th Apr 2019 | Canada, Review
The latest play in the TACTICS Mainstage Series of local independent theatre, Swedish Furniture by...
Read MorePosted by Cortland Nesley | 16th Apr 2019 | Canada, Review, Theatre and Disability
It seems simple enough. One is invited to perform somewhere, fills out the necessary paperwork,...
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