It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Read MorePosted by Kasia Lech | 7th Sep 2024 | Czech Republic, Essay, New Theatre for Children Festival, Wrocław 2024, Norway, Poland, Slovakia, Theatre for Young Audiences, United Kingdom
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Read MorePosted by Aleks Sierz | 13th Mar 2023 | London, Norway, Playwriting, Review, Translation, United Kingdom
Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight
Read MorePosted by Borisav Matić | 31st Aug 2022 | Applied Theatre, Belgium, News, Norway, Transcultural Collaborations
Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and...
Read MorePosted by Bojana Cvejić | 11th May 2022 | Acting, Norway, Review, Theatre and Gender
OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...
Read MorePosted by Rhiannon Ling | 30th Aug 2020 | Interview, Norway, Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
Read MorePosted by Rudi Laermans | 6th Jun 2019 | Norway, Review, Transcultural Collaborations
Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...
Read MorePosted by Abigail Weil | 17th Mar 2019 | France, Norway, Puppetry, Review, Transcultural Collaborations, United States of America
When does desire give way to fixation, compulsion, addiction? In Yngvild Aspeli’s exquisite show...
Read MorePosted by Bojana Cvejić | 16th Feb 2019 | Essay, Norway, Theatre and Dance
On Mette Edvardsen’s poetry and its penchant to imagine a clandestine side to things I’ll begin by...
Read MorePosted by Nicole Birmann Bloom | 22nd Jan 2019 | France, Interview, Norway, Puppetry, United States of America
Norwegian puppeteer Yngvild Aspeli and her company Plexus Polaire based in France is touring the...
Read MorePosted by Erik Ulfsby | 7th Nov 2018 | Directing, News, Norway
For me, as a director, it is important that the artistic idea and concept emerge from the story...
Read MorePosted by Andres Hasmo | 5th Nov 2018 | Croatia, News, Norway, Transcultural Collaborations
Kinetics Of Sound takes its starting point in an ordinary theatre exchange programme in which two...
Read MorePosted by Ivica Buljan | 26th Oct 2018 | Croatia, News, Norway, Transcultural Collaborations
The Croatian National Theatre in Zagreb and Det Norske Teatret from Oslo created a co-production...
Read MorePosted by Michael Evans | 17th Aug 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender
The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...
Read MorePosted by Paul Castagno | 1st Aug 2017 | Finland, Norway, Playwriting, Transcultural Collaborations
The EU Collective Plays project is arguably the most ambitious new play project in the history of...
Read MorePosted by Elisabeth Leinslie | 27th Oct 2016 | Essay, Norway
The independent theatre companies have at all times been champions for developing new texts for...
Read MorePosted by Elisabeth Leinslie | 18th Oct 2016 | Essay, Norway
The Norwegian theatre landscape is vast and heterogeneous; as different as the cultures and the...
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Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 


Evil Can Appear Beautiful by Margaret Rose 23rd November 2025