Italy

Recent Posts

• Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
• GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
• Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026
• Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben” 8th April 2026
• Lyle Kessler Receives Lifetime Achievement Award In Playwriting 7th April 2026
• Everything In Programming Matters To Cultivate The Spectator`S Free Will 7th April 2026
• David Yazbek: The Master of Adapting Films into Musicals. An Exclusive Interview 2nd April 2026
• The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre 1st April 2026
• Tim Crouch’s “The Tempest” at The Globe 1st April 2026
• On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames) 29th March 2026