Satoshi Miyagi Returns To The Japan Society With “Mugen Noh Othello”
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
Read MorePosted by Alex Rogals | 10th Feb 2018 | Adaptation, Japan, Review, Transcultural Collaborations
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
Read MorePosted by Nobuko Tanaka | 24th Jan 2018 | Interview, Japan, Management
Travel around 150 km northwest from the hustle and bustle of Kyoto, and another, far more peaceful...
Read MorePosted by Nobuko Tanaka | 20th Jan 2018 | France, Japan, Review, Theatre and Dance
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
Read MorePosted by Nobuko Tanaka | 7th Jan 2018 | Japan, Review
While 2017 featured many great stage productions and performances, these were among the standouts:...
Read MorePosted by Jeff Goldberg | 7th Jan 2018 | Interview, Japan, New York, Theatre and Dance, United States of America
Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...
Read MorePosted by Nobuko Tanaka | 28th Dec 2017 | Festivals, Japan, News, Producing
Never mind those North Korean missiles that provide politicians with heaven-sent pretexts to...
Read MorePosted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
Read MorePosted by Nobuko Tanaka | 29th Nov 2017 | Acting, Directing, Japan, Review
As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...
Read MorePosted by Nobuko Tanaka | 21st Nov 2017 | Collaborating Across Cultures, Japan, Review, United Kingdom
One Green Bottle is a new-ish work co-written by the renowned Japanese dramatist Hideki Noda and...
Read MorePosted by Nobuko Tanaka | 24th Oct 2017 | Directing, Japan, Review
The route that has brought Richard Twyman to Tokyo to direct an all-Japanese cast in a play based...
Read MorePosted by Wan-Jung Wang | 20th Oct 2017 | Asia, Books, Design, Japan
There are many theatre lighting design textbooks in the world; however, few female Asian lighting...
Read MorePosted by William Peterson | 19th Oct 2017 | Japan, Review
The darkness of the human condition, where people are enslaved by their own desires in a kind of...
Read MorePosted by Nobuko Tanaka | 18th Oct 2017 | Festivals, Japan
At the end of his speech in July announcing details of this year’s Festival/Tokyo running from...
Read MorePosted by Nobuko Tanaka | 24th Sep 2017 | Japan, Management
As I turned the pages of a free magazine in London this summer, a picture of a beaming woman...
Read MorePosted by Nobuko Tanaka | 13th Sep 2017 | Japan, Musical Theatre
“All the world is made of faith, and trust, and pixie dust.” In those few words the Scottish...
Read MorePosted by Zolima Citymag | 23rd Aug 2017 | France, Japan, Theatre for Young Audiences, Transcultural Collaborations
Why We Recommend it Using pioneering technology and fun choreography, this multimedia dance show...
Read MorePosted by Nobuko Tanaka | 11th Aug 2017 | Argentina, Immersive Theatre, Japan, Transcultural Collaborations, Transmedia
Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...
Read MorePosted by Yana Meerzon | 23rd Jul 2017 | Adaptation, Festivals, Japan
Antigone by Sophocles, directed by Satoshi Miyagi; music by Hiroko Tanakawa; scenography by...
Read MorePosted by Nobuko Tanaka | 19th Jul 2017 | Adaptation, Festivals, Japan
The government’s Cool Japan initiative may be focused on spreading anime around the world, but...
Read MorePosted by Nobuko Tanaka | 4th Jul 2017 | Japan, Producing
The neighborhood surrounding Yurakucho Station isn’t exactly starved for things to do. The Ginza...
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