New Leadership Brings Innovation to the Teatro 25 de Mayo
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
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Producing
Spaces of Agency: Conversation with Maya Zbib of Zoukak Theatre Collective and Cultural Association
Based in Beirut, Zoukak Theatre Collective and Cultural Association was established in 2006, and...
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Chicago Theatre 2016 A Year in Review: The Good, the Sad, and the Ugly
In contrast to all the great “Best Shows of 2016” and critics’ picks lists flooding Chicago media...
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The Vrystaat Kunstefees: Developing Creative Industries in the Free State, Part II
Read Part I here. The Vrystaat Arts Festival aims to contribute to the exchange of ideas around...
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The Challenges Facing Chilean Theatre in 2017
The time has come to close the curtains for the 2016 season in Chilean Theatre. With some upcoming...
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On Festivals: Curatorial Thought in Process
The curator’s role in the performing arts area seems to be, for many—including the curators...
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Kyoto Experiment Autumn 2016
Kyoto Experiment, or the Kyoto International Performing Arts Festival, will be held for the...
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Commercial Theatre in India: “Mr. and Mrs. Murarilal” Comes to Delhi
With every story he tells and every play he does, producer-director Saif Hyder Hasan takes a risk....
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A Shared Vision From Studio to Stage: Opera as Collaboration
Gabriel Barredo’s Opera, Choreographed by Redha is a show fusing dance and the visual arts. Staged...
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