G Kumara Swamy: Dramatizing Traditions
Founder of theatre group PlaneTG, G Kumara Swamy’s efforts in popularizing Telangana culture...
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Management
Dreams And Reality: Fortune Theatre, Dunedin, New Zealand Closes
The mid-morning phone call I receive from a colleague brings bad news. The Fortune Theatre–the...
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Going Places Interview With Lauren Clancy, The New Executive Director of The Bush Theatre
Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...
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Attempts at Self-Surprise: An interview with Ene-Liis Semper, the Artistic Director of Theatre NO99
Theatre NO99 is a theatre in Tallinn, Estonia with a troupe of 10 actors at the centre of it, lead...
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Change Is In The Air For New National Theater Tokyo In 2018
At the start of each year, the New National Theatre Tokyo holds a media event at which the...
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Dramatist Oriza Hirata Has A Vision For Theatre
Travel around 150 km northwest from the hustle and bustle of Kyoto, and another, far more peaceful...
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Managing The Floating Theatre in Denmark: Reality Always Wins
Actor and artistic director of the Danish theatre company Det Flydende Teater (literally...
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“Rocky Horror” Allegations Throw A Spotlight On Acting Boundaries, On And Off Stage
Where do the boundaries lie between exploring every possibility an acting role offers and still...
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Noises Off: UK Theatre Audiences Have Always Been A Rowdy Lot
Without an audience in the theatre, there’d be no drama. But audiences have been providing rather...
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American Lyric Theater: 10 Years of Nurturing the Future of Opera
Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
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Why Harassment Is So Common In The Theatre
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
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Interview With Heidi Wiley On The Creation Of European Theatre Convention (ETC)
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
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Gatekeepers: Imagining Non-Traditional Leadership In The Arts
Those in power positions or the “gatekeepers” (funders, policymakers, artistic...
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Theaters In Japan Are Looking At Longer Runs For Their Productions
As I turned the pages of a free magazine in London this summer, a picture of a beaming woman...
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New Shakespeare’s Globe Director Michelle Terry Promises the Bard Unplugged’
Michelle Terry, the new artistic director of Shakespeare’s Globe, has promised a return to the...
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Between Local and Global: Artistic programming and “glocal” challenges (Part 2/2)
Szabolcs Musca in conversation with Mark Deputter, Artistic Director of Teatro Maria Matos, Lisbon...
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In Conversation With Rithisal Kang About Amrita Performing Arts In Cambodia
ASEF culture360 contributor David Fernández talks with Executive Director Rithisal Kang about the...
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Melbourne’s La Mama Demonstrates The Value of Independent Theatre
This year Melbourne’s La Mama Theatre celebrates its 50th year of operation. In an interview for...
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Between Local and Global: Artistic Programming and “Glocal” Challenges (Part 1 of 2)
Mark Deputter was born in 1961 in Belgium. He studied Germanic Languages and Literature, followed...
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Kenyan Theatre: The Good, The Bad and the Ugly
Kenya National Theatre (KNT) was initially built as a recreational centre for British soldiers...
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