Dramaturgy Archives - Page 6 of 10

“Dysconnect” – Towards A Digital Political Dramaturgy: Re-Humanizing Agency In The Age Of Algorithms

Posted by Amanda Fromell | 4th Nov 2018 | Dramaturgy, Essay, Participatory Theatre, Sweden, Transmedia

In 2011, a woman stood outside an abortion clinic in Manhattan and asked...

“We Always Depend On Other People”–Dramaturg Stefan Bläske On His Process Of “Five Easy Pieces” With Milo Rau

Posted by Clement Lee | 3rd Nov 2018 | Belgium, Dramaturgy, Hong Kong, Interview, Theatre and Politics

It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...

The Language Of Secrecy In Brazilian Performance “Quaseilhas”

Posted by Aldri Anunciação | 30th Sep 2018 | Brazil, Dramaturgy, Review, South America, Theatre and Art

In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...

“Sounds And Sorcery Celebrating Disney Fantasia”: Art Installation Or Theatre?

Posted by Aida Rocci | 29th Sep 2018 | Dramaturgy, Immersive Theatre, London, Review, Theatre and Art, United Kingdom

Almost eighty years later the release of Fantasia, Sounds and Sorcery celebrates the iconic movie in an immersive production with ground-breaking technology.

Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018

Posted by Walter Byongsok Chon | 16th Sep 2018 | Boston, Dramaturgy, Essay, United States of America

Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...

“Angels in Suits” – The Operas of George Benjamin & Martin Crimp

Posted by Christopher Harris | 29th Aug 2018 | Dramaturgy, Essay, London, Netherlands, Theatre and Opera, United Kingdom

The dramaturgy of love’s intertwining with violence has been a recurring theme in the...

Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester

Posted by Yan Chen | 19th Jul 2018 | Dramaturgy, Festivals, Interview, Musical Theatre, New York, Theatre and Dance, United States of America

Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...

How Shakespeare Used Music To Tell Stories

Posted by Simon Smith | 17th Jun 2018 | Dramaturgy, Essay, United Kingdom

Today we fully expect film, television, and theatre to use music to shape meaning. The screeching...

The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring

Posted by Carmen Kovacs | 5th Jun 2018 | Dramaturgy, Germany, Interview, Theatre and Disability, Theatre and Opera

Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...

Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance

Posted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom

Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...

Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”

Posted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America

Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....

“Anæsthesia Transopera” – Interactive Transmedia Opera

Posted by Michał Krawczak | 25th Mar 2018 | Dramaturgy, News, Poland, Theatre and Opera, Transmedia

In 2016 the art & science collective Dæd Baitz (Agnieszka Jelewska, Michał Krawczak, Paweł...

Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw

Posted by Agata Łuksza | 18th Mar 2018 | Adaptation, Croatia, Directing, Dramaturgy, Interview, Poland, Theatre and Politics

Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...

Interview With The Art Director Of MICET Interactive Theatre Museum In Kraków

Posted by KaiChieh Tu | 15th Mar 2018 | Dramaturgy, Interview, Poland, Theatre for Young Audiences

Walking into the old basement of the legendary Old Theatre (Stary Teatr) in Krakow, you soon realize nothing is old here. MICET, the new interactive theatre museum, which opened just about a year ago, completely transforms the theatre’s dark, moldy basement into one of the most cutting-edge museum/installation/performance spaces in Europe.