The ENTRE Festival in Midwest Brazil
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
Read MorePosted by Luis Guilherme Barbosa dos Santos, Mariana Tagliari, Onira de Ávila Pinheiro Tancrede, Robson Corrêa de Camargo, and Ronei Vieira Nogueira | 7th Feb 2023 | Applied Theatre, Brazil, Education, Essay, Festivals, Poland, Transcultural Collaborations
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
Read MorePosted by Alexander Nderitu | 4th Jan 2023 | Applied Theatre, France, Kenya, Participatory Theatre, Theatre for Young Audiences
Alliance Française de Nairobi celebrated of the fourth centenary of Molière’s birth with an...
Read MorePosted by Gowri S | 7th Dec 2022 | Applied Theatre, Devised Theatre, India, News
Tamil contemporary theatre in the city sees a promising resurgence as new faces debut on stage...
Read MorePosted by The African Theatre Magazine | 29th Oct 2022 | Africa, Applied Theatre, Education, News, Theatre and Decolonization
The African Theatre Magazine invites applicants to the second edition of the Writing about African...
Read MorePosted by James Layton | 18th Sep 2022 | Applied Theatre, Education, Essay, Theatre for Young Audiences, United Kingdom
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
Read MorePosted by Borisav Matić | 31st Aug 2022 | Applied Theatre, Belgium, News, Norway, Transcultural Collaborations
Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and...
Read MorePosted by Deborah Augustin | 11th Aug 2022 | Afghanistan, Applied Theatre, Interview, Malaysia, Theatre and Politics
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...
Read MorePosted by Florida Kastrati | 5th Aug 2022 | Applied Theatre, Kosovo, Review, Theatre and Politics
Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...
Read MorePosted by Aprameya Manthena | 16th Jun 2022 | Applied Theatre, Essay, India, Theatre and Decolonization
Attired in a crisp white dhoti with a red zari border, bleached white shirt and angavastram, one...
Read MorePosted by Borisav Matić | 20th Apr 2022 | Applied Theatre, Essay, Serbia, Theatre and Politics
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
Read MorePosted by Aleks Sierz | 12th Apr 2022 | Applied Theatre, Essay, Theatre and Politics
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
Read MorePosted by Ahram Online | 20th Feb 2022 | Applied Theatre, Egypt, News
‘6 Bab Sharq,’ an arts and culture space that aims to support emerging artists in Alexandria, was...
Read MorePosted by Ruth Dhanaraj | 4th Feb 2022 | Applied Theatre, India, Interview
Biryani Durbar, recently staged in Bengaluru, shows how roles reverse when opportunity presents...
Read MorePosted by Nobuko Tanaka | 15th Jan 2022 | Applied Theatre, Japan, News, Theatre and Age
After 15 years of entertaining audiences in Japan and abroad, the actors of Saitama Gold Theater...
Read MorePosted by Athira M | 11th Jan 2022 | Applied Theatre, India, News, Theatre and Gender
The drama series is an initiative for She Radio on Radio Malayalam Mission, Government of Kerala...
Read MorePosted by Rustom Bharucha | 24th Dec 2021 | Acting, Applied Theatre, Essay, India
A few days ago, I lost one of my dearest theatre friends, my most avid and soul-searching...
Read MorePosted by Molly Grogan Zolima CityMag | 21st Dec 2021 | Applied Theatre, China, Education, Hong Kong, Interview
Louis Siu is performing the oldest known musical practice in the world, in a coffee shop in North...
Read MorePosted by Zolima Citymag | 30th Oct 2021 | Applied Theatre, China, Hong Kong
The rhythmic sound of drumming echoes through the streets. Tai Hang is normally quiet on...
Read MorePosted by Łucja Iwanczewska | 28th Aug 2021 | Applied Theatre, Poland, Review, Theatre and Politics
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
Read MorePosted by Dylan McGarry | 5th Apr 2021 | Applied Theatre, News, South Africa
The drug whoonga has plagued South African communities for at least a decade, yet only gained...
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