Adaptation Archives - Page 23 of 23

Jimmy Savile Play May Revolt Some, But It’s A Necessary Part Of Confronting The Horror

Posted by John Drakakis | 9th Apr 2015 | Adaptation, Essay, London, United Kingdom

The announcement that a play about Jimmy Savile is to be staged in London this summer has raised...

The Amateur’s Age Of Unriddling: “Finnegans Wake” On Stage

Posted by Gabrielle Carey | 9th Mar 2015 | Adaptation, Australia, News

Seventy-five years after publication, James Joyce’s Finnegans Wake may finally be starting to make...

Q And A With Author Of “The Tribe”: Michael Mohammed Ahmad

Posted by Alix Bromley | 21st Jan 2015 | Adaptation, Australia, Interview

This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...

Interview With the Creative Team of “Notes from Underground”

Posted by Emily McGovern | 7th Nov 2014 | Adaptation, France, Interview, Russia, Transcultural Collaborations, United Kingdom

British actor Harry Lloyd and French director Gérald Garutti’s stage adaptation of the Fyodor...

Vladimir Sorokin Takes The Stage

Posted by RBTH and Dmitriy Romendik | 19th Oct 2014 | Adaptation, Review, Russia

The premier of Telluria caused little controversy when it opened in St. Petersburg. Maybe Russian...

Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness

Posted by Claire Hansen | 29th Jul 2014 | Adaptation, Australia, Review

Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...

“Medea” Is As Relevant Today As It Was In Ancient Greece

Posted by Laura Swift | 23rd Jul 2014 | Adaptation, Essay, London, United Kingdom

A new production of Medea recently opened at London’s National Theatre to critical acclaim. This...

Romeo, Juliet, Viola, And Will: “Shakespeare In Love” Mash-Up Hits The Stage

Posted by Preti Taneja | 1st Jul 2014 | Adaptation, Essay, London, United Kingdom

I don’t really go in for creative mash-ups. You know: Alien Vs. Predator, or the films where...

It’s Time To Adapt: We Need A Fully Functioning National Drama

Posted by Julian Meyrick | 14th May 2014 | Adaptation, Australia, Essay

Last year in Australian theatre a rare event took place: a sector-wide debate about the role of...

Connecting Shakespearean “Roman Tragedies”

Posted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia

Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...

“The Curious Incident of the Dog in the Night-Time” at Apollo Theatre

Posted by Aleks Sierz | 17th Mar 2013 | Adaptation, London, Review, United Kingdom

Science is an area of perennial fascination for the theatre. In the past, plays as various as Tom...

British Chekhov Production Meets With High Acclaim

Posted by Phoebe Taplin | 16th Mar 2013 | Adaptation, News, Russia

William Boyd’s new play Longing, based on two short Chekov stories, is a sell-out success in...

Chekhov’s Famous Play “Uncle Vanya” Staged In London

Posted by Phoebe Taplin | 4th Jan 2013 | Adaptation, Review, Russia

A traditional version of Anton Chekhov’s play gets West End glamor and charm but lacks conviction....

Report: “Songs of Lear” at the Teatr Pieśń Kozła

Posted by Dara Weinberg | 11th Dec 2012 | Adaptation, Essay, Poland

Report From Wrocław’s Grotowski Institute (the second annual Summer Seminars) and Teatr Pieśń...

London’s Youngest Playwright Re-Animates “The Seagull” In Southwark

Posted by Phoebe Taplin | 20th Nov 2012 | Adaptation, Review, Russia

Chekhov’s timeless exploration of youth, aging, and the desire for fame sprouts fresh wings in an...

Adapting Gogol’s “Inspector” for D.C.

Posted by Nora Fitzgerald | 12th Oct 2012 | Adaptation, News, Russia, United States of America

D.C.’s Shakespeare Theater Company presents its first Russian play in a quarter century and...

If You Were To Do Tadeusz Różewicz’s “The Card Index”…

Posted by Pawel Ploski | 7th Jun 2011 | Adaptation, Poland, Review

The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...

You’re Welcome, Ms. Müller

Posted by Joanna Wichowska | 5th Feb 2011 | Adaptation, Poland, Review

In the theatrical adaptation of The King Bows And Kills, the authors have chosen the technique of...

Adaptation

Jimmy Savile Play May Revolt Some, But It’s A Necessary Part Of Confronting The Horror

The Amateur’s Age Of Unriddling: “Finnegans Wake” On Stage

Q And A With Author Of “The Tribe”: Michael Mohammed Ahmad

Interview With the Creative Team of “Notes from Underground”

Vladimir Sorokin Takes The Stage

Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness

“Medea” Is As Relevant Today As It Was In Ancient Greece

Romeo, Juliet, Viola, And Will: “Shakespeare In Love” Mash-Up Hits The Stage

It’s Time To Adapt: We Need A Fully Functioning National Drama

Connecting Shakespearean “Roman Tragedies”

“The Curious Incident of the Dog in the Night-Time” at Apollo Theatre

British Chekhov Production Meets With High Acclaim

Chekhov’s Famous Play “Uncle Vanya” Staged In London

Report: “Songs of Lear” at the Teatr Pieśń Kozła

London’s Youngest Playwright Re-Animates “The Seagull” In Southwark

Adapting Gogol’s “Inspector” for D.C.

If You Were To Do Tadeusz Różewicz’s “The Card Index”…

You’re Welcome, Ms. Müller

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