Moi Qui Parle A Moi-Même Dans Le Numérique Auditory Alienation And Liberation For The Intermedial Performer
With backgrounds in performance and sound design, we were interested in investigating how the...
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Acting
Good Theatre Surpasses Language: An Interview with Mari-Liis Lill, Estonian Actress
Interviewers: Liisi Aibel, Heidi Aadma In our small country, the Estonian and Russian theatre...
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Film Acting And Performance Capture: The Index In Crisis
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
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Actor Cures Stroke After Setting Up Theater At Psychiatric Hospital
Have you ever watched a staging of Chekhov where all the roles are played by patients at a...
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Ken Cameron’s “Harvest”: A Funny And Perseverant Take On The Shocking And Unexpected
Harvest performed at the 1000 Islands Playhouse in Gananoque, Ontario A play that is inspired by a...
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For Better Or For Worse: The Pros And Cons Of Theatre Relationships
Traveling with the troupe results in fun stories. And sometimes in marriage. Last month I attended...
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Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
Last week, the Zbigniew Raszewski Theatre Institute announced the winners of the 24th National...
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From Poet To Protagonist: Shedding Light On Mayakovsky’s Unknown Career As A Movie Star
Though Mayakovsky turns 125 this year, his words continue to resonate with our lives today....
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Through A New Zealander’s Eyes: The Subjunctive World, Notes From Venice Beach
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
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Arlecchino Servitore Di Due Padroni: Seventy Years Of Strehler (And Counting)
It is not easy to approach a work such as Giorgio Strehler’s Arlecchino Servitore Di Due...
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“The Glass Menagerie” – Purely Theater Poesy
The Glass Menagerie is a masterpiece work of Tennessee Williams, it is a jewel of world...
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Brian Friel’s “Translations” At The National Theatre: Four Stars
Since the Northern Irish playwright’s death in 2015, Brian Friel’s work is rarely sighted in...
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Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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Elizaveta Boyarskaya: Acting And Directing Is More Than A Job—It Is A Mission
Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...
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Sergey Kuryshev: This Means Figuring Out Our Life And Presenting It On The Basis Of The Classic Text
Tonight is the opening night of Uncle Vanya at the Theatre Royal Haymarket, In anticipation of the...
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Cross-cultural Encounters In World Theatre: Bertolt Brecht, The “Alienation” Effect And Chinese Drama
The German playwright and drama theorist Bertolt Brecht (1898-1956) is particularly famous for...
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Ella Hickson’s “The Writer” at The Almeida Theatre
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
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“Nine Night” at The National Theatre: The Play About Grief
The good news about so-called black drama on British stages is that it has broken out of its...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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An Actor’s Guide To Playing God
Mugamudigal, a city-based theatre group, gives lovers of the medium a chance to learn the ancient...
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