“Ain’t No Mo Play” on Broadway at Belasco Theatre
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
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Black Theatre in Asia—Spotlight Query
It began as a direct message conversation between two black creatives: Ghanniy Oyedele from...
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Art, Dance, and Film of Ingrid Nachstern and Cate McNider
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
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Kenyans Get a Taste of “The French Shakespeare”
Alliance Française de Nairobi celebrated of the fourth centenary of Molière’s birth with an...
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“The Bloody Poet: A Novel about Nero” at DESIRÉ Central Station
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
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“Once Upon A (Korean) Time:” Review
The simplicity of the set was enriched with exquisite lighting design, by Oliver Wason, depicting the starry heavens above, exploding bombs, flocks of butterflies, even projections of characters.
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Celebrity Culture Under the Spotlight at Para Site
Para Site, one of Hong Kong’s leading contemporary art spaces, is famous for its sprawling,...
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“Sons Of The Prophet,” Hampstead Theatre
Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil...
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“Kerry Jackson,” National Theatre
Is British new writing in deep trouble? With the Arts Council defunding venues such as the...
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“Father and Father” and the 1600 Still Missing from the Kosovo War
If you don’t know about loss, then you will by the end of this show. Sara (Ilire Vinca) is married...
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II 4.4 Short Performances Festival: When Muses are Not Silent
When the non-peaceful world is illuminated by the bursts of shells, it seems that other...
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“&Juliet”: What if?—A Review.
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
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“Baghdaddy” at the Royal Court
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
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Glitches, Memes and Playbackshows: Performance in the Post-internet Era
Drag is gaining popularity and visibility at a rapid pace. With the body as a canvas and the...
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Kathadi Ramamurthy’s Tamil Play “Jugalbandhi” Blends Humor with a Social Message
Two well-known theater groups, JB Creations and Stage Creations, collaborate for the first time to...
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“Our Son”—Kosovo Theatre Showcase ‘22
Meta-theatre has been a bit of a theme at Kosovo’s latest independent theatre showcase in...
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Julia Pascal’s 12:37 at the Finborough Theatre: epic story of Jewish identity from Dublin to Jerusalem
Julia Pascal is a resourceful theatre-maker who is unafraid of being controversial. Her interest...
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“The Jungle And The Sea” Reminds Us War Is Profoundly Local, With The Intimate Negotiation Of Human Relationships
Review: The Jungle and the Sea, directed by Eamon Flack and S. Shakthidharan, Belvoir. After the...
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The Blackest Raisin: “A Raisin in the Sun” at The Public Theatre
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
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James Graham’s “Best of Enemies” at the Noël Coward Theatre
TV is a strange medium, but James Graham is no stranger to its toxic charm. London audiences have...
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