V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]
To read PART I of this interview, go to this link. Collective Interview with V4 Improv...
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![V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/1-Photo-credit-Vesna-A-Briskoska-627x376.jpg.webp)
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]
Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...
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Europe As a Beautiful Mess: An Interview with Heidi Wiley, Executive Director of ETC
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
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Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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Disability, Kink, and Joy as Resistance in The Dan Daw Show
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
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Roy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel
Is resilience the most powerful character trait? When you think about the suffering of the...
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Sitting Down with Theater Artist Kate Rankine
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
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A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
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The Fire This Time Festival Enters Its 16th Year
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
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The Beginnings of Theatre in Iraq
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
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From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
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Тim Rice – 80: The Hero and His Many Anniversaries. Part I
In November 2024, the British songwriter, lyricist, and author, a man whose contribution to the...
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Filmmaker David Trueba’s theatre debut: “Los guapos/The Handsome Ones”
David Trueba’s films have often had a theatrical dimension. La silla de Fernando/ Fernando’s...
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“1936”: Andrés Lima puts the Spanish Civil War on Stage
How to begin to approach a history of the Spanish Civil War for the stage? An ambitious prospect...
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Humankind’s Search for the Living in Shinichi Anasako and Pijin Neji’s “Stand by Me”
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
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David McVicar’s new “Maria Stuarda” at Madrid’s Teatro Real
Gaetano Donizetti’s Maria Stuarda, first produced at Milan’s Teatro alla Scala in 1835, like the...
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Nanako Matsumoto and Anchi Lin (Ciwas Tahos) Trekking Mountains
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
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“No Power for the Electric Chair ” – Crime of Theatrical Absurd
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
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(LA)HORDE’s Flash Mob Revolution
The enthusiastic applause and standing ovations received by Room with a View from the large...
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