Review Archives - Page 22 of 138

Bombastic Intimacies: Sophie McIntosh’s “cityscrape”

Posted by Rhiannon Ling | 30th May 2023 | New York, Review, Theatre and Gender, United States of America

Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...

“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream

Posted by Kuan-Ting Lin | 12th May 2023 | Directing, Review, Taiwan, Theatre and Politics, Transcultural Collaborations

Originally a collection of West Asian folktales, The Arabian Nights may be the series of...

“FLY” – Sidney Leoni

Posted by Timmy De Laet | 7th May 2023 | Belgium, Documentary Theatre, Review, Theatre and Dance, Worldwide

An imaginary trip with the god of dance While he was often called le dieu de la danse, Vaslav...

“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre

Posted by Aleks Sierz | 3rd May 2023 | Adaptation, London, Review, United Kingdom

Imagine yourself in a remote place: it could be a mountaintop, or a lost village, or the Amazon....

Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking

Posted by Aleks Sierz | 1st May 2023 | London, Review, Theatre and Gender, United Kingdom

We are watching history being made: after decades of being in the shadows, queer drama is now...

“Young Barbarians”: Non-serious Seriousness and Hungarian Drive

Posted by Emiliia Dementsova | 1st May 2023 | Hungary, Musical Theatre, Review, Theatre and Politics, Theatre Olympics 2023

Young Barbarians – director: Attila Vidnyánszky Jr. They say the best way to get to know each...

Sydney Theater Company’s “Julia” Powerfully Imagines the Life and Emotions of the Woman Behind the “Misogyny Speech”

Posted by Camilla Nelson | 29th Apr 2023 | Australia, Review, Sydney, Theatre and Gender, Theatre and Politics

Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...

“Sea Creatures,” Hampstead Theatre

Posted by Aleks Sierz | 28th Apr 2023 | Review, Theatre and Gender, United Kingdom

Is it possible to successfully challenge naturalism in British theatre today? At a time when...

Brian Friel’s “Dancing at Lughnasa” at the National Theatre: Josie Rourke’s Spirited Revival of This 1990 Classic Is More Fun than Subtle

Posted by Aleks Sierz | 27th Apr 2023 | Directing, Ireland, Review, United Kingdom

Brian Friel’s classic play about the blending of Paganism and Christianity in 1930s Ireland is...

“Report to an Academy”: To Be or Not to Be Human?

Posted by Emiliia Dementsova | 26th Apr 2023 | Adaptation, Greece, Review, Theatre and Politics, Theatre Olympics 2023

No matter how trends, themes, agendas and moods of society change, the focus of the study of art...

“Nora”: Present Continuous Hell

Posted by Emiliia Dementsova | 25th Apr 2023 | Adaptation, Greece, Review, Theatre and Gender, Theatre Olympics 2023

Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...

Easy Reading (or not): Cristina Morales’s “Lectura fácil” on the Stage

Posted by Maria Delgado | 21st Apr 2023 | Adaptation, Review, Spain, Theatre and Disability

There is nothing easy about Alberto San Juan’s Lectura fácil. His adaptation of Cristina Morales’...

Miriam Battye’s “Little Scratch” at the New Diorama Theatre: Restaged Adaptation of Rebecca Watson’s Novel Is Powerfully Theatrical

Posted by Aleks Sierz | 21st Apr 2023 | London, Playwriting, Review, Theatre and Gender, United Kingdom

The popularity of plays that feature trauma is certainly a trend in British theatre today. But is...

The Brilliance of Nuria Espert: Secrets, Lies and “La Isla Del Aire”

Posted by Maria Delgado | 18th Apr 2023 | Adaptation, Review, Spain

Alejandro Palomas has transformed his acclaimed 2005 novel La isla del aire (The Island of Air)...

The Sphinx’s Riddle Remains Unsolved. Scattering Chinese Art with “The First-Ever Metaverse Theatre Festival”

Posted by Anna Gryszkiewicz | 14th Apr 2023 | China, Festivals, Review, Theatre and AI, Transmedia

Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...

“Further Than the Furthest Thing” at the Young Vic

Posted by Aleks Sierz | 13th Apr 2023 | London, Review, Theatre and Politics, United Kingdom

Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember...

“The Winter’s Tale” Review: Jarring Shakespeare’s Globe Production Lacks Warmth

Posted by Penelope Woods | 11th Apr 2023 | London, Review, United Kingdom

The Winter’s Tale is one of Shakespeare’s great “hospitality plays” — a tragicomedy about what...

Exploring Palestinian Allyship in “Decolonizing Sarah”

Posted by Tim Hamilton | 10th Apr 2023 | Chicago, Palestine, Review, Theatre and Decolonization, Theatre and Politics, United States of America

Hummus is not appropriated hipster dip, it’s Palestinian food. So argues Wally, a...

Arden of Faversham: A True Crime Thriller

Posted by Clare Cioffero | 10th Apr 2023 | Acting, New York, Review, United States of America

A small boat sails the stage while a trap door serves as the river depths for one of the characters to sink beneath the waves. And as the story reaches its inevitable conclusion, a snowstorm complete with snow drifts – an element taken directly from the origin story of Arden.