Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
In this day and age, the word data evokes preconceived images of algorithms, artificial...
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Review
“The Interview,” Park Theatre
Journalism is a despised profession. And when you consider the story behind the interview that...
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They Were People: Brittany K. Allen’s “Redwood” at EST
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
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“Dear England:” ‘Feelgood’ Gareth Southgate Play Reviewed by a Sports Coaching Expert
Dear England, a play about football manager Gareth Southgate, immaculately encapsulates the light...
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“Antigones” Kosovo Theatre Showcase
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
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In Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
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“The Shadow Garden” Kosovo Theatre Showcase
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
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“The Interview” Review: A Blend of Fact and Speculation
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
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“Negotiating Peace”, Kosovo Theatre Showcase 2023
There are wars, and then there are post wars, the kind of which take place around the negotiating...
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“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
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“Boy Parts.” Soho Theatre
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
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Venus and Adonis: this “play within a plague” about Shakespeare is wildly romantic, erotic and colorful
Shakespeare wrote his famous narrative poem Venus and Adonis in a lockdown era when, in 1593, the...
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“Gadjo (The Young Europeans)” Kosovo Theatre Showcase 2023
Everywhere’s a stage, but not all stages are equal. Some stages are empty of story and empathy,...
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SheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
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“La Regenta” as Opera: a Coruscating Portrait of Smalltown Community Abuse
It is not an easy prospect to adapt into opera one of the most acclaimed social realist novels of...
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The Danger Within: “Asesinato y adolescencia” / “Assassination and Adolescence” Opens the Español’s Season at Madrid’s Matadero
There is something beguiling, provocative and timely in Andrés Lima’s staging of Antonio San...
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“Blue Mist,” Royal Court
Multiculturalism, according to the Home Secretary, has failed, so where does that leave British...
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Floating Islands of AI: Agrupación Señor Serrano’s “La isla/The Island” in Madrid
Agrupación Señor Serrano go where other theatre-makers fear to tread. They are always one step...
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“Strength, Don’t Let Yourself Be Anyone’s” – BITEF, Belgrade, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
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“My Sister Jill:” Patricia Cornelius’ New Play is a Blistering Post-War Social and Cultural Commentary
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
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