Out of the Darkness: A “Visit” with Lighting Designer Japhy Weideman
“That’s what we as lighting designers do – we observe, interpret, and find ways to recreate...
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Surge Madrid 2020: The Nonstop Alternative Theatre Festival
Surge Madrid is a performing arts festival that usually takes place in May. However, this year it...
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Theatre Shows How The Art of Inclusion Can Help Build a Better Canada in 2021
As we bid the pandemic year goodbye and herald the new year, it’s worth asking about the kind of...
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Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.
On Saturday 9th of January, Polish National Theatre will stream its 2015 production of Kordian by...
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The Rise of the Ridiculous in “Circle Jerk” by Fake Friends
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
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Shreyas Talpade Set to Unveil Nine Rāsā in January 2021
BShreyas Talpade hopes his new digital theatre initiative will create new opportunities for...
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Amir Nizar Zuabi’s “This Is Who I Am:” A Reminder of Family, Humanity, and the Power of Theatre
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
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Searching for the Origin of the Korean Wave: The Nanhee’s MIMAJI!
The Korean theatre company The Nanhee premiered its new production Mimaji!, written and directed...
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About “December”
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
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New Musicals Presented at the National Alliance of Musical Theatre’s 32nd Annual Festival
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
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Amid the Waters: Afghan Stories Stream Diversity on the Iranian Stage
I saw Amid the Waters amid the hustle and bustle of Tehran’s downtown at Tehran City Theatre...
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“Misfits” at The Queen’s Theatre Hornchurch
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
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Maintaining Whoville: Interview with Designers Chris Rynne and Shelly Williams
For the past twenty-three years, The Old Globe’s production of Dr. Seuss’ How The Grinch Stole...
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Chennai’s New Theatre Group, The Art Factory, Debuts with a Virtual Production
Chennai-based theatre group, The Art Factory, debuts with an anthology of Tamil and English short...
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Once Upon A Time In BIM: A Theatre Resuscitation In The Time Of COVID-19
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
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The End of An Era: Goodbye and Thank-you to the Pavón Teatro Kamikaze
It’s December 22nd, not quite the night before Christmas but not far off, and the news has just...
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The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
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On Contemporary Art as Part of Culture’s DNA: Interview with Mira Todorova
Five years ago in November, a new space for contemporary dance and performance opened its doors in...
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Review of Kwasha! Theatre Company’s “Peeling Shadows”
Kwasha! Theatre Company’s Peeling Shadows, which has just ended a limited run at the Market...
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Theatre and Politics: Robert Serumaga – The Pantheon of Uganda’s Theatre in the ’70s
When Abafumi went on what would be their last tour, Robert Serumaga, who had not gone with his...
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