Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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In China’s Voguing Houses, Queer Millennials Strike a New Pose
Ballroom culture is quietly flourishing in China’s cities, creating a safe space for young LGBT...
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Death or Re-birth?: On Vicissitudes of the Egyptian Stage During 2020
This year, for theatre and dance artists around the world, it was necessary to convey the message...
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Dramaturgy as “A Poem About The Unknown”: Producing Dance Theatre About the Future During Uncertain Times
A Poem About the Unknown is a dance theatre performance directed by Chinese dance artists Lian...
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Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”
Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...
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Ten Ableist Tropes to Jettison in 2021
Disabled people need people who live in privileged bodies to do better. People with disabilities...
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“A Black and White Cookie” at TNC
Gary Morgenstein’s nostalgic yet au courant play A Black and White Cookie is an invigorating...
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“Times3 (Times x Times x Times)” Takes Bite Out of Big Apple
Created by theatre-artist Geoff Sobelle and composer-performer Pamela Z, Times3 (Times x Times x...
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On Changing The Disability Inclusion Narrative: An Interview With Theater Breaking Through Barriers’ Nick Viselli
Inclusion has quickly become the commanding narrative in the theater world, but when it comes to...
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In India, 16% of Creative Sector Facing Permanent Closure
Many adapting to digital, live business models, but some of the workforces are changing careers....
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The Amazing Energy of the Bulgarian Dance Platform 2020
As the second wave of the pandemic was just gaining speed in the country, in between the worrying...
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“The Book of Magdalene” at Main Street Theater: Interview with Playwright Caridad Svich
When Rebecca Greene Udden graduated from Rice University, she decided to make Houston her...
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Interactive Online Theater – “Life on Earth”
Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...
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In Turkey, Stage Curtains Open Digitally Amid Pandemic
Theaters are now opening virtually after remaining closed for months due to the coronavirus...
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On sound ecology: “Rainforest V (variation 3)” at Arter
Within the acoustics of Arter’s Karbon, a hall for sound installations and concerts is a...
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The Attakkalari Centre for Movement Arts Reimagines Dance for the Online Medium
Through a series of virtual performances and conversations, Attakkalari Centre for Movement Arts...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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“The Dybbuk” Or a Play Possessing Audiences for a Century
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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Intriguing and Peculiar Immersive Theater with Grounded Aerial’s “The Insectinside”
An intriguing, quirky, movement and aerial experience, The Insectinside performed by the company...
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Choosing the Stories You Tell: An Interview with Kelley Girod
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
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