The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
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Willy Hudson’s “Welcome Home” at the Soho Theatre: Messy Queer Sci-Fi Show
Willy Hudson is a writer and performer from Exeter — his Willy Hudson Ltd theatre company...
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“La Cupa” of Mimmo Borrelli: A Lunar Fable Turning to be the Most Powerful and Poetic Theatrical Event of 2022 in Naples
Naples. Last October and November, Naples was traversed by a cultural event that aimed to reassign...
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How British Theatre Censorship Laws Have Inadvertently Created A Rich Archive Of Black History
In an age of so-called “cancel culture” it’s important to remember that for much of British...
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“Sound Of The Underground,” Royal Court
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her...
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How British Theatre Censorship Laws Have Inadvertently Created a Rich Archive of Black History
In an age of so-called “cancel culture” it’s important to remember that for much of British...
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“Al Capone the musical” à la Francaise
The Italian American gangster – Al Capone (Alphonse Gabriel Capone), who reigned as a crime boss...
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When Nobel Met Booker: Dario Fo, Barry Unsworth, and One Shambolic Italian Summer
The summer of 1985 is oppressive around the medieval Italian town of Gubbio. Thick heat is held...
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A Director’s Reflection: “Crimea 5 am” at The Kiln Theatre
Before the war, in what now feels like another lifetime but in reality is just over a year ago, I...
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Trap Door Theatre’s “Princess Ivona”: Piercing yet Healing
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
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“Three Sisters,” National Theatre
Earlier in the week, I enjoyed a rainy afternoon at home by watching Inua Ellis’s 2019 adaptation...
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“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
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“Undine” at PROTOTYPE 2023 Festival
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
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Digital Access Research Project (DARP) Launches at metaLAB (at) Harvard
A collaboration between metaLAB (at) Harvard and the Berkman Klein Center for Internet and...
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“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
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Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
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“note to a friend” at PROTOTYPE 2023 Festival
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
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“Morning//Mourning” at PROTOTYPE 2023 Festival
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
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Three-Day Women’s Theatre Festival in Thiruvananthapuram, Begun on December 23, Showcased 14 Plays by Women Directors
A day in the museum turns out to be an unforgettable journey across time and regions for six...
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Marching the Streets with an Empty Protest Board: Where Lies the Power of Protest?
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
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