Ukraine Fringe: Festival For The Brave To Be Held In Blended Form From August 21st To September 3rd
The first edition of Ukraine Fringe – under the slogan Festival for the Brave – will...
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Featured
Edinburgh International Festival 2023: “FOOD” By Geoff Sobelle
You would not have been wrong to expect a feast in this show set at a giant dining table, fully...
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“Rock Follies” Review: Powerful New Musical Brings 1970s Feminist TV Sensation to the Stage
Rock Follies was a groundbreaking television series about an all-female rock band that originally...
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Poland at The Edinburgh Fringe 2023: Lubuski Teatr’s “Gusła” And The Song Of The Goat’s “Andronicus Synecdoche”
Thanks to the early 20th century ethnographic research of Milman Parry and Albert Lord, the word...
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Edinburgh International Festival 2023: “Trojan Women” By The National Theatre Of Korea
There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...
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Memorial To Professor Maya Harbuzyuk
It is with great regret and sadness that we have learned of the untimely and sudden death of an...
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Meeting The Public Is The Most Important Incentive For Those Who Do Theatre: An Interview With Walter Prete
Walter Prete is a playwright, author, actor, educator, dramaturg, and director. Born in 1991 in...
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Brian Friel’s Dancing At Lughnasa At The National Theatre London
The recent production of Brian Friel’s Dancing at Lughnasa at London’s National Theatre offers its...
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Interview With Ulviyya Heydarova
Ulviyya Heydarova: “I switch on my computer, open Word and put my heart and thoughts into...
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“Habitat” by Doris Uhlich: Performing a Landscape of Naked Bodies
In Ways of Seeing (1972), John Berger stated that “the way we see things is affected by what...
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Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
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I Can’t Imagine Anybody Would Come Out Of “On The Beach” And Not Hold Their Loved Ones Just That Little Bit Closer
Review: On The Beach, directed by Kip Williams. When Nevil Shute wrote his 1957 novel On the...
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“Beneatha’s Place,” Young Vic
Trauma is the source of identity politics. In the case of African-Americans, the experience of...
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Egypt Joins Jordan’s Open-Space Theatre Festival
Egypt is represented by one play and a jury member at the second edition of Jordan’s...
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Craft of “Downton Abbey” and “Gilded Age” Director, Michael Engler
American television and film director Michael Engler is extraordinarily skilled at both comedies...
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“Kiss” at the Wilma Theater
Directed by Fadi Skeiker with Wilma Hothouse Company favorites, the show’s physical and visual...
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Stephen Brown And Mark Rylance’s “Dr Semmelweis” At The Harold Pinter Theatre
Today’s obvious was most likely yesterday’s incredible. This is the conceit at the heart of Dr...
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Monsters, Mayhem, and Maturation: “The Trouble with Dead Boyfriends” at the Players Theatre
Upon one’s first step into the Players Theatre, one knows exactly what they’re in for. The stage...
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“Notre Dame de Paris”: Frollo’s Inner Struggle. An Exclusive Interview with Daniel Lavoie
It has become a beautiful annual tradition: welcoming the musical Notre Dame de Paris at New York...
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“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part II)
For Part I of the interview, click here. Susanna: The play deals with the Asian American topic,...
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