The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025
The “Screen / Stage” program was created as a space for shared viewing, discussion, and reflection...
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Featured
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
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Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”)
Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...
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Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
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Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility
There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...
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“A Place Of Safety, A Journey In The Central Mediterranean”
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
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“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro
Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go...
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How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity”
The morning of the day I saw Narcissister’s spellbinding and stunningly original Voyage Into...
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Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
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Under The Radar Fest: Testo
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
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What’s Eating You
Bug is a thoughtfully creepy psycho-thriller, set in a Texas motel, about a seemingly likeable yet...
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Sharing Crafts, Or Laboratory Space
The “Sharing Crafts” Performative Laboratory took place on 19–22 May 2025 as part of...
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For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
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Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
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Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
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Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
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Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025)
Berlin at Chicago’s Court Theatre (April–May 2025) was nothing short of a theatrical...
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“Leili And Majnun:” An Ancient Love Story For Modern Times
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
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“With Ruby and I” – review – more McDonagh than Robinson
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
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