Another World. Mihail Sebastian’s “A Star without a Name” at PM Theater
Cruel war rages on without an end; another bloody war has just started. This is our world today....
Read MorePosted by Vassili Schedrin | 13th Dec 2023 | Featured, New York, Review, United States of America
Cruel war rages on without an end; another bloody war has just started. This is our world today....
Read MorePosted by Rhiannon Ling | 12th Dec 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...
Read MorePosted by Zip Scene Magazine | 9th Dec 2023 | Bosnia, Immersive Theatre, Interview
Interview with Selma Rizvic, the founder of the Sarajevo Group Laboratory and the digital cultural...
Read MorePosted by Girish Shrivastava | 8th Dec 2023 | India, Review
Metamorphosis, staged at the Studio Theatre of the Department of Performing Arts, Pondicherry...
Read MorePosted by Aleks Sierz | 7th Dec 2023 | Playwriting, Review, Russia, Theatre and Age, United Kingdom
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
Read MorePosted by Lisa Monde | 7th Dec 2023 | Interview, Musical Theatre, New York, United States of America
Little Shop of Horrors is a famous rock musical by Alan Menken, with the book and lyrics written...
Read MorePosted by Margaret Rose | 1st Dec 2023 | Essay, Italy, Theatre and Age
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
Read MorePosted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by Praveen Sudevan | 30th Nov 2023 | India, Interview, Playwriting
The F Word, according to Akarsh, is a deeply personal conversation about parents, children,...
Read MorePosted by Martin Blaszk | 29th Nov 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read MorePosted by Verity Healey | 28th Nov 2023 | Interview, Kosovo, Ukraine
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
Read MorePosted by Soo Ryon Yoon | 26th Nov 2023 | Review, South Korea, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read MorePosted by Aleks Sierz | 25th Nov 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
Journalism is a despised profession. And when you consider the story behind the interview that...
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by Verity Healey | 19th Nov 2023 | Kosovo, Review, Theatre and Politics
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
Read MorePosted by Rhiannon Ling | 14th Nov 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read MorePosted by Verity Healey | 13th Nov 2023 | Kosovo, Review, Theatre and Politics
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
Read MorePosted by Victoria Chen | 10th Nov 2023 | Review, United Kingdom
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
Read MorePosted by Lisa Monde | 9th Nov 2023 | Interview, Musical Theatre, United Kingdom, United States of America
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read MorePosted by Verity Healey | 8th Nov 2023 | Kosovo, Review, Theatre and Politics
There are wars, and then there are post wars, the kind of which take place around the negotiating...
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