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In the theatrical adaptation of The King Bows And Kills, the authors have chosen the technique of...
Read MorePosted by Joanna Wichowska | 5th Feb 2011 | Adaptation, Poland, Review
In the theatrical adaptation of The King Bows And Kills, the authors have chosen the technique of...
Read MorePosted by John Biweekly | 6th Dec 2010 | Interview, Playwriting, Poland
In this section, we introduce Polish artists, places, and new phenomena. We always ask the person...
Read MorePosted by The Theatre Times | 9th Nov 2010 | Benin, Review
On October 27, 28 & 29, 2010 at 8pm AfricAvenir presented the world premiere of the theatre...
Read MorePosted by Agata Diduszko-Zyglewska | 30th Aug 2010 | Interview, Poland, Theatre and Opera
I didn’t really know Xenakis before, but it turned out that he touches the precise parts of my...
Read MorePosted by Tomasz Cyz | 14th Aug 2010 | Essay, Poland, Theatre and Opera
Jan Kott wrote that in Shakespeare’s Macbeth, history is shown as a nightmare, something that...
Read MorePosted by biweekly.pl | 14th Aug 2010 | Acting, Interview, Poland
I’m an outsider everywhere. I was an outsider in my family. I was an outsider where I grew up. I’m...
Read MorePosted by Magda Fertacz | 14th Jul 2010 | Interview, Playwriting, Poland
Theatre is this section’s subject matter. For we love the stage and its (r)evolution. In this...
Read MorePosted by Tomasz Cyz | 19th Jun 2010 | Directing, Interview, Poland
I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...
Read MorePosted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
Read MorePosted by Malgorzata Dziewulska | 7th Jun 2010 | Directing, Essay, Poland
Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...
Read MorePosted by Joanna Wichowska | 31st May 2010 | Directing, Germany, Interview
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
Read MorePosted by Adam Wiedemann | 8th May 2010 | News, Playwriting, Poland, Transmedia
I highly respect and admire Schaeffer’s escalation of innovations but it creates the effect...
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Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 



The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025