Featured Archives - Page 23 of 252

Miguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times

Posted by Maria Delgado | 6th Jan 2024 | Review, Spain, Theatre and Opera

I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...

“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.

Posted by Emily Cordes | 4th Jan 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America

Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...

Kampala’s Tale of Two Theatre Festivals

Posted by Kaggwa Andrew Mayiga | 4th Jan 2024 | Festivals, News, Uganda

If there is one thing many theatre practitioners around the world seem to agree on, it is that the...

“The Maids” by Genet: The Logic of the Paradox

Posted by Lisa Monde | 2nd Jan 2024 | France, Interview, Theatre and Gender, United States of America

Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...

Jack Thorne’s “The Motive and the Cue” at the Noël Coward Theatre: Jack Thorne’s History Play About Gielgud And Burton Transfers To The West End

Posted by Aleks Sierz | 1st Jan 2024 | Acting, Playwriting, Review, United Kingdom

This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...

“Faded:” Beyond the Dance

Posted by Kaggwa Andrew Mayiga | 28th Dec 2023 | Review, Theatre and Gender, Uganda

Nabaggala Lillian Maximilian has outdone herself by covering a lot of ground recently. A few months ago, she premiered a dance theatre production, Nambi, and exhibited a short film, Faded in Berlin. And barely a month after the...

At the End of the Land: an avalanche of images that invites us to sit alone in time and space together

Posted by Leah Mercer | 22nd Dec 2023 | Australia, Review

At the End of the Land, a world premiere production by Western Australian interdisciplinary...

The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”

Posted by Maria Delgado | 21st Dec 2023 | Management, Review, Spain, Theatre and Politics

The relationship between theatre and life has been pervaded the work of dramatists from...

Great Acting: Training Your Mind and Body to be Perceptive – Learning About Yourself and Your Surroundings. An Interview with Zdravko Stojmirov

Posted by Ivanka Apostolova Baskar | 21st Dec 2023 | Acting, Interview, Macedonia

Zdravko Stojmirov worked on many theater projects, TV series and short films. He participated in...

Cuban Just So Stories

Posted by Jonathan Kalb | 20th Dec 2023 | Musical Theatre, Review, United States of America

Buena Vista Social Club—a wonderfully infectious and sexy collection of golden-age Cuban music...

“Vudú (3318) Blixen” or a Complex Naïve Way to Exorcise Pain

Posted by Antonio Hernández Nieto | 20th Dec 2023 | Review, Spain, Theatre and Gender

There is nothing like going to a world premiere. Being one of the first to see something brand...

“Macbeth” at the Donmar Warehouse

Posted by Mert Dilek | 20th Dec 2023 | London, Review, United Kingdom

How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...

Fringe Theatre at Ukraine Fringe: from a Bomb Shelter to a Festival

Posted by David Livingstone | 19th Dec 2023 | Essay, Festivals, Ukraine

Readers may or may not be aware that the first edition of the Ukraine Fringe festival, sub-titled...

Coronada and the Bull Return to the Stage

Posted by María Bastianes and Duncan Wheeler | 18th Dec 2023 | Playwriting, Review, Spain

Francisco Nieva (1924-2016) ranks amongst the most respected Spanish playwrights of the second...

Desiré Festival 2023: Poetics of Andraš Urban, Circus of Marko Mandić, God of Jernej Lorenci

Posted by Emilija Kvočka | 18th Dec 2023 | Festivals, Review, Serbia

The international, regional festival of contemporary theatre Desiré, which takes place in Subotica...

David Ireland’s “Ulster American” at the Riverside Studios

Posted by Mert Dilek | 17th Dec 2023 | London, Review, Theatre and Politics, United Kingdom

An American actor, an English director, and a Northern Irish playwright walk into a house in...

Is There a Right Way to Make Chinese Opera?

Posted by Guo Chenzi | 16th Dec 2023 | China, Essay

With countless adaptations, The Peony Pavilion is China’s answer to Swan Lake. But recent attempts...

Another World. Mihail Sebastian’s “A Star without a Name” at PM Theater

Posted by Vassili Schedrin | 13th Dec 2023 | Featured, New York, Review, United States of America

Cruel war rages on without an end; another bloody war has just started. This is our world today....

Timelier Every Day: Kazimierska’s “Katie’s Tales”

Posted by Rhiannon Ling | 12th Dec 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide

“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...

History Experienced In VR

Posted by Zip Scene Magazine | 9th Dec 2023 | Bosnia, Immersive Theatre, Interview

Interview with Selma Rizvic, the founder of the Sarajevo Group Laboratory and the digital cultural...

Featured

Miguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times

“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.

Kampala’s Tale of Two Theatre Festivals

“The Maids” by Genet: The Logic of the Paradox

Jack Thorne’s “The Motive and the Cue” at the Noël Coward Theatre: Jack Thorne’s History Play About Gielgud And Burton Transfers To The West End

“Faded:” Beyond the Dance

At the End of the Land: an avalanche of images that invites us to sit alone in time and space together

The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”

Great Acting: Training Your Mind and Body to be Perceptive – Learning About Yourself and Your Surroundings. An Interview with Zdravko Stojmirov

“Vudú (3318) Blixen” or a Complex Naïve Way to Exorcise Pain

“Macbeth” at the Donmar Warehouse

Fringe Theatre at Ukraine Fringe: from a Bomb Shelter to a Festival

Coronada and the Bull Return to the Stage

Desiré Festival 2023: Poetics of Andraš Urban, Circus of Marko Mandić, God of Jernej Lorenci

David Ireland’s “Ulster American” at the Riverside Studios

Is There a Right Way to Make Chinese Opera?

Another World. Mihail Sebastian’s “A Star without a Name” at PM Theater

Timelier Every Day: Kazimierska’s “Katie’s Tales”

History Experienced In VR

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