“Mandelshtam-Fest” – Theatre and Poetry Festival in Voronezh, Russia
The second “Mandelshtam-Fest” took place at Voronezh Chamber Theatre on December 8–10, 2017....
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“The Grift”: Theatre or Escape Room?
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
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“The Birthday Party” – Revival at Harold Pinter Theatre
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
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Sin Muros: Interview With “Living Sculpture” Playwright Mando Alvarado
While native Texas playwright Mando Alvarado now lives in Los Angeles working in theatre,...
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“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
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“Rita, Sue And Bob Too” at The Royal Court: The Revival for #MeToo Era
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
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“A Crash Course In Cloudspotting (The Subversive Act Of Horizontality)”: Bringing Awareness Through Art
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
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“The Pursuit Of Happiness” At Under The Radar Festival
New York-based experimental troupe Nature Theater of Oklahoma (NTO) teams up with Slovenia’s...
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Robert O’Hara’s “Mankind”: Desperately Trying to Get in Trouble
I want the experience for the audience to be a sort of speeding train that gets completely and...
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Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
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“Ada/Ava”: Silent Film In The 21st Century
ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...
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“887”: A Shared Collective History About the Nature of Memory Itself
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
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OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
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Border Force: The Scottish Arts Festival That’s Bringing Two Nations Together
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
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The “Very Last Wedding” At The Divine Comedy Festival
Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...
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A Stark, Beautiful “Uncle Vanya” from the Vakhtangov Theatre and Stage Russia HD
Amid the deep velvety gloom that submerges the entire upstage in Rimas Tuminas’s Uncle Vanya, the...
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“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
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Performing Arts Join Digital Forces To Celebrate Cultural Heritage On Stage
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
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Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
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Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
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