See Naples And Die! Marco D’Amore’s “American Buffalo”
American Buffalo is the story of a failure. A foretold, almost desired conclusion, an inescapable...
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Featured
“Mr. Shi And His Lover:” A Tautly Executed Superlative Piece of Musical Theatre
A word of advice: If you’re going to see this superlative chamber musical, take the time to read...
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Theatre and Higher Education in Poland: Theatre Studies in Wrocław
Studying Theatre in Wrocław The Theatre Studies specialization with the Polish Philology Faculty...
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“The Curious Incident Of The Dog In The Night-Time” Trades Deadpan For High-octane
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
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“Rocky Horror” Allegations Throw A Spotlight On Acting Boundaries, On And Off Stage
Where do the boundaries lie between exploring every possibility an acting role offers and still...
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From Skopje To London Via Hungarian And English: András Visky’s “The Unburied”
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
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Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 1
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
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Jerome Bel and His Amateurs Test the Limits of Contemporary Dance in Saitama Show
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
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“Unpermitted Whispers:” Reflections On The Originality Of “Hopscotch” Performance
Yuval Sharon was recently awarded a MacArthur Fellowship “genius grant” for...
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Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría
This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...
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An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
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Casting In Multiethnic And Multiracial Context: Changing Perspectives
Though I never met my great-grandfather, I was told he was fond of saying “Lucky we come...
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Steppenwolf’s Savage New Play -“The Minutes”
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
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Behind the Scenes of “Uncommon Sense”: An Interview with John Coyne From Tectonic Theater Company
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
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The Importance Of Dramaturgical Design
A man in all-black production attire shoots an audience with a camcorder in an almost...
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‘Les Incorrigibles’: The Publishing House Championing Spanish Theatre in France
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
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How The Nirbhaya Protests Made Young Women A Symbol Of Resistance
This week marks five years since the nationwide Nirbhaya protests sparked off in the country, with...
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Interview with Performance Artist Camille Boitel
Camille Boitel trained at an early age at Ecole de Cirque with Annie Fratellini, and then...
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In Photos: “Forsa Saeeda” Play Opens At Cairo’s El-Salam Theatre
The latest play by the Modern Theatre troupe, titled Forsa Saeeda (Nice To Meet You), has opened...
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The Best Dance Shows Coming In 2018
Windrush: Movement of the People Phoenix Dance Theatre marks the 70th anniversary of the journey...
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