“The Half God Of Rainfall” at The Kiln Theatre: A Galaxy-Hopping Mythological Mash-up
If British theatre often seems to lack ambition, the same cannot be said of The Half God Of...
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Children Bring The Mahabharata On Stage
For Athul Krishna, the summer vacation has been about polishing his acting skills. A budding...
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First Egyptian Integrated Dance Show Spotlights Dancing With Disability
When you have any sort of injury, you are forced to listen to your body, which is reflected in...
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Zoe Cooper’s “Out Of Water” At The Orange Tree Theatre: Feelgood Gender Issues
Most new writing for the British stage is timid in subject matter, predictable in plotting and...
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Passion Play: The Often Fraught History Of The Theatre And Christianity
During Holy Week – the run-up to Easter – theatrical versions of religious narratives abound....
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“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope, And Loss And That Reality Is Stranger Than Fiction
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
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Performatik 2019 – Towards Indisciplinarity
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
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Video Games As Extensions Of Theatre
In Somewhere, players set out for Kayamgadh, a mythical city of storytellers in colonial India. In...
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“It Is All Very Satisfying”: Director Of India By The Nile, Ila Gupta On Her 25 Years In The Arts Field
Ila Gupta, the director, and producer of the annual festival dedicated to Indian arts is among the...
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The Structure Of The Arts And Culture Industry In Zimbabwe
In the last nine years, at various forums initiated either by government agents such as National...
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Lola Arias: “Minefield”
Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...
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Intermediality In The Advanced Dramatic Readings In Belarusian Theatre
Belarusian theatre is not well-known abroad because of a certain cultural isolation. Several local...
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Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for “King Lear” at Quantum Theatre
Susan Tsu is an advocate for educating costume designers and devotes much of her time to her...
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Susan Stein’s “Etty”
In 1942, responding to the announcement that people of Japanese ancestry on the American west...
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Absurdist Comedy “Every Good Boy Deserves Favour” Gets Its Japan Debut
Tom Stoppard is one of the most influential figures in theater today and one of the most...
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Duchampian Theater: “Paul Swan is Dead and Gone”
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
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Bowled Over: Suzan-Lori Parks’ “White Noise”
Suzan-Lori Parks has written a dark and disturbing allegory about the seemingly impossible dream...
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Youth Find Hope For The Future Through Documentary Play
Today’s young people deserve to be heard. But, because of all of our technological distractions...
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Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
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Demystifying The Religious Fountainhead
Marathi play, Avyahat has a cinematic sweep and a multi-layered narrative. The third generation of...
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