Bryan Cranston to Star in Fake News-Predicting “Network” at National Theatre
The Breaking Bad star Bryan Cranston will make his London stage debut in a National Theatre...
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News
Theatre: Moscow’s Acclaimed Sovremennik Theatre Returns To London
Sovremennik Theatre (Russia’s oldest theatre company) makes a welcome return to London this May,...
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A Report From the 2016 Divine Comedy Festival
The International Divine Comedy Festival (Boska Komedia), in Kraków has grown, over nearly a...
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Russia’s Mariinsky and Maly Drama Theaters to Perform in Washington
Russia’s two theater companies from St. Petersburg are beginning a series of performances in...
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New Leadership Brings Innovation to the Teatro 25 de Mayo
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
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Anna Smolar Awarded the Passport Prize in Theatre
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
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Remembering Veenapani Theatre Festival Financed By Crowd-Funding
A crowd-funding campaign that has quietly been doing the rounds of theatre circles is now...
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From “The Hypocrite” to “Hamilton”: Six Must-See Theatre Shows to Book in London
The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...
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More Than 31,000 People Enjoy the Magic of the First International Festival of Live Arts Loja
On November 17–27, 2016, Loja, considered the cultural capital of Ecuador because of its long...
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Moscow Theater Performance of “Anna Karenina” to Play at a Cinema Near You
The Vakhtangov Theatre’s interpretation of Leo Tolstoy’s famous novel, Anna Karenina, is...
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The Need for Supertitles or Not
Two shows recently seen at the Under The Radar festival in New York gave me the opportunity to...
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The Year of Remembrance and Resistance: A Look at Polish Theatre in 2016. Part II
The year 2016 was marked by theatre artists resisting narratives imposed by the Polish government...
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A Bird’s-eye View on Iranian Theatre in 2016
The highlights of Iranian theatre in the last 12 months (1394–1395 Persian calendar) include...
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Howard Barker and The Curious Case of the Chinese Play With the All-white Cast
This week, In the Depths of Dead Love opened at The Print Room in London. The play, by Howard...
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AbOriginal Theatre’s “Fractures” – Nigerian Adaptation of Arthur Miller’s “A View from the Bridge”
AbOriginal Theatre, the theatre arm of AbOriginal Productions, returned with its latest theatrical...
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Musical About Fidel Castro Aims to Present Historical Complexity
The response to the death of Cuban revolutionary leader Fidel Castro has been striking for its...
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The Year of Remembrance and Resistance: A Look at Polish Theatre in 2016. Part I
The final Polish premiere of 2016 was Triumf Woli [The Triumph of the Will] prepared by the...
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Obituary: Nehad Selaiha, Renowned Theatre Scholar And Activist Dies
On January 6th, the Egyptian culture scene lost one its highest pillars, Nehad Selaiha, a woman...
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Tribute to 25 Years of Theatre of the Andes
The idea of celebrating the 25 years of Theatre of the Andes (Teatro de los Andes) was born from...
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Building Bridges: A Transcultural Collaboration Between Spain and the UK
Rodrigo Arribas (from Span’s Fundación Siglo de Oro) describes the transnational collaborative process that gave rise to his company, which has been the first to present a non-English speaking author at the Shakespeare Globe. Reflecting on the models that have arisen from the collaboration between Spain and the UK, he reflects on what differentiates and unites us in theatre.
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