Interview with Thomas Ostermeier: “Every Generation Writes its Own Shakespeare”
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
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Interview
Talking Dramaturgy with Gareth Vile: Uncertainty, Confusion, Parody
Interview with Gareth Vile, Theatre Editor for the List, former Theatre Editor for the Skinny and...
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Mark Bly in conversation with Katalin Trencsényi: “Questioning Spirit”—Dramaturgy in America
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the Playwriting...
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Interview with Bear Bellinger
Bear Bellinger is a total babe. The Chicago-based actor was recently nominated for a Time Out...
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Dance Icon Saburo Teshigawara’s “Magic Flute” Brings Abstract Notes To Mozart’s Final Gem
Since studying visual arts and sculpture before taking up ballet at the age of 20 in 1973, Saburo...
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Christina Papagiannouli on Cyberformance, Online Theatre, and Pokémon GO
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
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Maverick Director Barrie Kosky On Rescuing Opera From The Taste Police
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
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Butoh For Kids Has Fun With “Birthday Suit” Tale
“Gloomy,” “eerie,” “vulgar,” “avant-garde” and “conceptual” are adjectives often used to describe...
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What It’s Like To Be A Puppet Maker
Have you ever watched the original Thunderbirds and tried to count all the strings? Well, puppets...
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Interview with Ricardo Bartis: The Dead and the Actor
Ricardo Bartis (born in Buenos Aires, 1949), one of the major figures of Argentine theatre, took...
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Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
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Dramatist Speaks Up For The Downtrodden And New Thinking In Japan
Fifty-three-year-old Oriza Hirata unexpectedly arrived early for our 9 a.m. interview in a Tokyo...
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Interview: Michael Boyd On Staging “Eugene Onegin” For Garsington Opera
Sir Michael Boyd was born in Belfast and studied English at Edinburgh University. In 1979 he won a...
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Isabelle Huppert Talks Her Return To The Stage In “Phaedra(s)” And Paul Verhoeven’s Controversial “Elle”
“A difficult role is never difficult to do,” says Isabelle Huppert. “It’s difficult to watch but...
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“Tell Me” Lays Bare One Woman’s Quest
The first thing Yojiro Ichikawa said when we sat down for our recent interview in a Tokyo...
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“Fascinating Inharmoniousness” With Playwright Anna Gschnitzer
College of inspiration from playwright Anna Gschnitzer’s desk. Do plays require a different...
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Strindberg’s Surrealistic “Dream” Heralds A Pivotal Era For KAAT
He doesn’t officially become Kanagawa Arts Theatre’s artistic director until April 1, but Akira...
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The Tragedy Of “Hamlet” With An Egyptian Twist In Al-Hanager Theatre
In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...
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In The Spirit Of Positive Disgrace: An Interview With Katarzyna Lemańska
What were the beginnings of your work with the Garbaczewski & Cecko duo? You met while working...
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Interview: Mikhail Reznikovich, An Artistic Director Of The National Theatre Of Kiev, Talks About Their Upcoming London Tour At The St. James Theatre
Kiev’s National Theatre of Russian Drama brings a festival of events celebrating Ukrainian...
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