Maverick Director Barrie Kosky On Rescuing Opera From The Taste Police
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
Read MorePosted by Alexandra Coghlan | 1st Aug 2016 | Australia, Interview, Theatre and Opera
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
Read MorePosted by Nobuko Tanaka | 26th Jul 2016 | Interview, Japan, Theatre for Young Audiences
“Gloomy,” “eerie,” “vulgar,” “avant-garde” and “conceptual” are adjectives often used to describe...
Read MorePosted by Chloe Hamilton | 22nd Jul 2016 | Design, Interview, London, United Kingdom
Have you ever watched the original Thunderbirds and tried to count all the strings? Well, puppets...
Read MorePosted by Halima Tahan Ferreyra | 18th Jul 2016 | Argentina, Directing, Interview
Ricardo Bartis (born in Buenos Aires, 1949), one of the major figures of Argentine theatre, took...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
Read MorePosted by Nobuko Tanaka | 21st Jun 2016 | Interview, Japan, Management
Fifty-three-year-old Oriza Hirata unexpectedly arrived early for our 9 a.m. interview in a Tokyo...
Read MorePosted by Anna Prosvetova | 18th Jun 2016 | Interview, Theatre and Opera, United Kingdom
Sir Michael Boyd was born in Belfast and studied English at Edinburgh University. In 1979 he won a...
Read MorePosted by Hugh Montgomery | 2nd Jun 2016 | Acting, France, Interview
“A difficult role is never difficult to do,” says Isabelle Huppert. “It’s difficult to watch but...
Read MorePosted by Nobuko Tanaka | 24th May 2016 | Interview, Japan, Musical Theatre
The first thing Yojiro Ichikawa said when we sat down for our recent interview in a Tokyo...
Read MorePosted by Fides Schopp | 1st May 2016 | Austria, Interview, Playwriting
College of inspiration from playwright Anna Gschnitzer’s desk. Do plays require a different...
Read MorePosted by Nobuko Tanaka | 6th Apr 2016 | Directing, Interview, Japan, Management
He doesn’t officially become Kanagawa Arts Theatre’s artistic director until April 1, but Akira...
Read MorePosted by Rana Khaled | 27th Mar 2016 | Adaptation, Egypt, Interview
In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...
Read MorePosted by Justyna Wasilewska | 10th Sep 2015 | Acting, Interview, Poland
What were the beginnings of your work with the Garbaczewski & Cecko duo? You met while working...
Read MorePosted by Anna Prosvetova | 30th Aug 2015 | Festivals, Interview, Russia, Ukraine
Kiev’s National Theatre of Russian Drama brings a festival of events celebrating Ukrainian...
Read MorePosted by Megan Geigner | 22nd Jun 2015 | Chicago, Interview, United States of America
I’m sprinting down Milwaukee Avenue in Chicago, Illinois. It’s nearly two o’clock on a sunny April...
Read MorePosted by Jessica Rizzo | 16th Jun 2015 | Directing, Interview, Iran
An Interview with Iranian Director Mohammad Aghebati Most young Americans would be hard-pressed to...
Read MorePosted by Alix Bromley | 21st Jan 2015 | Adaptation, Australia, Interview
This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...
Read MorePosted by Beatriz Cabur | 21st Dec 2014 | Design, Interview, Spain
José Luis Raymond is a multi award-winning Spanish Stage Designer, Director, Plastic Artist, and...
Read MorePosted by John Freedman | 17th Nov 2014 | Essay, Interview, Playwriting, Russia, Translation
Back when I used to publish a blog called TheaterPlus on the website of The Moscow Times, I would...
Read MorePosted by Emily McGovern | 7th Nov 2014 | Adaptation, France, Interview, Russia, Transcultural Collaborations, United Kingdom
British actor Harry Lloyd and French director Gérald Garutti’s stage adaptation of the Fyodor...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026 
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026