How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World
Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...
Read MorePosted by Jeff Goldberg | 7th Jan 2018 | Interview, Japan, New York, Theatre and Dance, United States of America
Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...
Read MorePosted by Walter Byongsok Chon | 2nd Jan 2018 | Interview, Musical Theatre, New York, South Korea, Transcultural Collaborations
To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...
Read MorePosted by Madison Parrotta | 30th Dec 2017 | Interview, Producing, Russia, Russian Theatre - Featured, Theatre and Disability
Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...
Read MorePosted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
Read MorePosted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
Read MorePosted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
Read MorePosted by Valentina Riccardi | 21st Dec 2017 | Australia, Interview, Theatre and Dance, Transcultural Collaborations, Translation
Interview conducted as part of the media partnership between Culture360 and International Theatre...
Read MorePosted by Nicole Birmann | 19th Dec 2017 | Festivals, France, Interview, Theatre and Dance, United States of America
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
Read MorePosted by Ágnes Bakk | 5th Dec 2017 | Germany, Interview, Participatory Theatre, Transmedia
It’s often stated that performing arts reflect changes in society. But how does this look when we...
Read MorePosted by Jessica Hinds-Bond | 2nd Dec 2017 | Interview, Producing, Russia, Russian Theatre Abroad, Translation
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
Read MorePosted by Yan Chen | 30th Nov 2017 | Interview, Russia, Russian Theatre - Featured, Transcultural Collaborations
John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...
Read MorePosted by Agnieszka Slodownik. | 29th Nov 2017 | Interview, Poland, Transmedia
With the team of Polski Theater in the underground we streamed 360-degree video from the container...
Read MorePosted by Nat Muller and Sandra Noeth | 22nd Nov 2017 | Interview, Theatre and Art, Theatre and Dance, Theatre and Politics
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
Read MorePosted by Christine Wahl | 14th Nov 2017 | Germany, Immersive Theatre, Interview, Participatory Theatre
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
Read MorePosted by Gemma Nash | 7th Nov 2017 | Interview, Theatre and Disability, Theatre and Politics, United Kingdom
Jackie Hagan: In Skem (Skelmersdale) there’s no class system, just people with slightly nicer...
Read MorePosted by Megan McClain | 6th Nov 2017 | Interview, New York, Theatre and Disability, United States of America
On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...
Read MorePosted by The Theatre Times | 4th Nov 2017 | Germany, Interview, Management, Transcultural Collaborations, Ukraine
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
Read MorePosted by Carrie Klewin Lawrence | 2nd Nov 2017 | Acting, Interview, Spain
Fanny Gautier, star of stage, television, and film, gives some insight into succeeding as a...
Read MorePosted by Evgeny Kazachkov and Sasha Sharova | 31st Oct 2017 | Interview, Playwriting, Russia
On October 6 and 7, 2017, The Lark hosted The Russia/U.S. Playwright Exchange, in partnership with...
Read MorePosted by Jessica Hinds-Bond | 27th Oct 2017 | Directing, Interview, Russia, Russian Theatre Abroad, United States of America
An interview with Graham Schmidt, artistic director of Austin’s Breaking String Theater....
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
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