Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
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Interview
Dramatist Oriza Hirata Has A Vision For Theatre
Travel around 150 km northwest from the hustle and bustle of Kyoto, and another, far more peaceful...
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Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría
This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...
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An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
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Behind the Scenes of “Uncommon Sense”: An Interview with John Coyne From Tectonic Theater Company
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
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Interview with Performance Artist Camille Boitel
Camille Boitel trained at an early age at Ecole de Cirque with Annie Fratellini, and then...
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How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World
Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...
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The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park
To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...
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Theater KroogII Brings Artistic Enrichment And Inclusion To Moscow’s Aspiring Disabled Artists
Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
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Intercultural Theatre Practices – Interview With Frances Barbe
Interview conducted as part of the media partnership between Culture360 and International Theatre...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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Theatre Is Not Happy Any More In Crisis: The Internet and Performing Arts
It’s often stated that performing arts reflect changes in society. But how does this look when we...
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An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
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The Serendipitous Path of a U.S.-Russia Theatre Ambassador: An Interview with John Freedman
John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...
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Newborn: Talk with Wojtek Markowski
With the team of Polski Theater in the underground we streamed 360-degree video from the container...
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A Conversation About Movement, Nationalism, And Collectivity
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
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Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
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