Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Interview
Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
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Intercultural Theatre Practices – Interview With Frances Barbe
Interview conducted as part of the media partnership between Culture360 and International Theatre...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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Theatre Is Not Happy Any More In Crisis: The Internet and Performing Arts
It’s often stated that performing arts reflect changes in society. But how does this look when we...
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An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
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The Serendipitous Path of a U.S.-Russia Theatre Ambassador: An Interview with John Freedman
John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...
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Newborn: Talk with Wojtek Markowski
With the team of Polski Theater in the underground we streamed 360-degree video from the container...
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A Conversation About Movement, Nationalism, And Collectivity
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
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Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
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At The Intersection Of Disabled And Working Class, An Interview With Jackie Hagan
Jackie Hagan: In Skem (Skelmersdale) there’s no class system, just people with slightly nicer...
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Apothetae And Lark National Convening: Five Conversations About Disability And Theater
On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...
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Interview With Heidi Wiley On The Creation Of European Theatre Convention (ETC)
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
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Interview With Fanny Gautier: Exit(o) Madrid
Fanny Gautier, star of stage, television, and film, gives some insight into succeeding as a...
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A Closer Look: The Russia/U.S. Playwright Exchange
On October 6 and 7, 2017, The Lark hosted The Russia/U.S. Playwright Exchange, in partnership with...
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An Interview with Graham Schmidt: Bringing Russian Theatre To U.S. Audiences
An interview with Graham Schmidt, artistic director of Austin’s Breaking String Theater....
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Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School
Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...
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From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
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Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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