Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
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Essay
All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
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Transformative Imaginations #1: Breaking Toxic Patterns
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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Building Bridges: Interweaving Beckett – Brazil and Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
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Canada’s Theatre Community Must Nurture BIPOC Leadership to Improve Racial Equity
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Get Down: A New Way to Rise. Professionalizing Urban Dances, From Street to Stage.
With Get Down, Belgium now has its first management agency dedicated to street dancers. That is...
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Laughing in Darkness: Reading Różewicz Anew
Tadeusz Różewicz (1921-2014) might need a few words of introduction for English-speaking readers,...
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Asian Adaptations of Shakespeare Today
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
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Between.Pomiędzy @ 12 — Ohio Impromptu @ 40 — Beckett @ 115
Now in its twelfth year, the Between.Pomiędzy Festival of Literature and Theatre has made much of...
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Performing Shakespeare in the Era of COVID-19
Although tragedy is not usually the preferred companion for hard times, Anglophone pop culture...
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Be Creative with Your Videoconferencing, Make it Memorable, Make a Difference
On the 21st March 2020, I put out a simple message on my Facebook profile in response to the...
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“The Other Solos, Shakespeare:” Brexit, Shakespeare, and Foreign Voices
Today, 23rd of April 2021, is the 405 anniversary of Shakespeare’s death. In two months, on...
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Kennedy Center New Play Dramaturgy Intensive Adapts to Meet the Moment
At the time of the writing of this article, the historic events of January 6th, January 20th, and...
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Jimmy Fallon, Addison Rae, and the Issue of TikTok Dance Credit
On March 26, 2021, ultra-famous TikTok star Addison Rae Easterling appeared on The Tonight Show...
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The Social Theater of Ambulatory Care in Poland. Part 3.
For Part 1 and 2 go here. Revolution: A Response to a Systemic Crisis Those theaters of ambulatory...
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The Social Theater of Ambulatory Care in Poland. Part 2.
For Part 1 go here. Responding to The Crisis of The Individual: Therapy or Conjuring “Let’s stay...
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The Social Theater of Ambulatory Care in Poland. Part 1
As the Węgajty Theater [1] was launching an appeal for Easter food donations for homeless people...
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