Happy Birthday, Dracula!
Dedicated to the 125th anniversary of the legendary hero of the famous gothic novel “Dracula”,...
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Essay
Refugees in Berlin (Excerpts From a Sort of Berlin Diary)
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
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Remembering Joan Littlewood (6 October 1914 – 20 September 2002)
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
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How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
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Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre
“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
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When Playwrights Complicate Dramatic Form: Recent Developments in African American Plays of the 2010s
African American drama, theater and performance has a rich and complex history. Only recently,...
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Five Myths About Shakespeare’s Contribution to the English Language
Shakespeare’s language is widely considered to represent the pinnacle of English. But that status...
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With the Hope to Make Telugu Theater a Sustainable Career Option
Production-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day...
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When City Streets Record Fading Performance Traditions
Attired in a crisp white dhoti with a red zari border, bleached white shirt and angavastram, one...
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Gilbert Gottfried and the Mechanics of Crafting One of the Most Memorable Voices of All Time
Though Gilbert Gottfried’s voice has alternatively been described as “shrill,” “annoying” and...
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“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART II
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
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“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART I
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
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From the Moscow Stage to Monroe and De Niro: How the Method Defined 20th-Century Acting
When an actor is criticized for peculiarly excessive preparation for a role, or an inability to...
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Interactive Map: “Theatre and Decolonization” at “The Theatre Times”
Over the years, our contributors have been addressing the topic of decolonization in theatre and...
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Why Costume Design Is a Snapshot of Hong Kong Life
This story is part of a collaboration between Zolima CityMag and the Hong Kong Design Centre’s new...
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As Utpal Dutt’s Play “Barricade” Completes 50 Years, a Look at How the Thespian Spoke Truth to Power
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
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Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
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Ecocide is Everywhere in Serbia, but Eco-Theatre Remains on the Fringes
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
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About the futureStage Manifesto
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
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Ambiguity and Amorality: Is Douglas Stewart’s “Ned Kelly” One of Australia’s Great Forgotten Plays?
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
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