“There Was No Evidence That I Was Spying For Russia. I Was Just Queer.”
Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...
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Essay
Who Doesn’t Love The Jester?
With their latest workshop, John Pradeep and his group reiterate that clowning is a serious art...
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The Expanding Notion Of Scenography And The Swiss Contribution To The 14th Prague Quadrennial
Scenography is generally considered an element of secondary importance in theatre since its main...
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Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
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Moscow’s 2018 Liubimovka Festival: New Trends, Old Problems
The Liubimovka, for those not in the know, is the annual festival of young dramaturgy held in...
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A Return To The Body: TAO Dance Theatre And Its “Straight Line Trilogy”
Established by the choreographer Tao Ye in 2008, TAO Dance Theatre is an anomaly in the world of...
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When Koodiyattam Looks In The Mirror
Tracing its profile over the last 25 years unveils interesting changes in India’s only ancient...
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Indigenous Theatre Would Thrive With Funds From The Canadian Government
The Canadian government’s Department of Canadian Heritage has the opportunity to support a...
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How Theatre Training Can Boost Your Doctor’s Empathy
I teach improvisational theatre to health scientists and trainee doctors. When I tell people this,...
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Stage Your City: Redundancy Vs Prototyping
This is a transcription of the project Stage Your City presentation during the Theatre Digital...
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Akinori Nakagawa Captures Frankie Valli In “Jersey Boys”
Nothing sounds quite like the early 1960s more than the vocals of Frankie Valli. As lead singer of...
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The Painter: An Allegory, By Lighting Designer Cory Pattak
Light is elusive, mercurial, and ephemeral. It remains invisible to the eye until it collides with...
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“Upstart Crow”: Shakespeare Sitcom Is Really Quite Educational
Making Shakespeare relevant for contemporary society is often the work of theatre directors,...
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A Performative View on Kafka’s “The Great Wall” by Paper Tiger Theatre Studio (Beijing)
In May and August 2017, respectively, Theater der Welt in Hamburg and The Shanghai Ming...
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Assam’s Fascinating Theatrical Traditions
It’s a little over a month into mobile theatre season in Assam, and a surplus of professional...
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The Park’s New Festival: Light, Sound And Soul Make Art
In its 12th edition, The Park’s New Festival featured art, comedy, music, movement and more. Right...
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Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018
Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...
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“Women Get F*ed”: The Place Of Women In French Theatre
In an article from 2014 and published by TheTheatreTimes.com, American playwright, translator, and...
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On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
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The Big Bang Theory
Start-ups Infinite Engineers and Vaayusastra jazz up science education with all the pizzazz of...
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