Robert Wilson’s 75th Birthday Season
The Byrd Hoffman Water Mill Foundation, and its European partner, the Robert Wilson Stiftung, will...
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The Theatre Times
Translating Theatre: ‘Foreignisation’ on Stage
TRANSLATING THEATRE: ‘FOREIGNISATION’ ON STAGE AN AHRC LEADERSHIP FELLOWSHIP PROJECT, MAY...
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Shanghai Jingju Theatre Company’s “Hamlet” in Chicago
Internationally renowned Shanghai Jingju Theatre Company transforms Shakespeare’s Hamlet...
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“Moliere” by Polish Troupe To Be Staged in Cairo
The troupe Teatr Animacji will take part in the ongoing 23rd Cairo International Festival for...
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Caryl Churchill’s “Pigs and Dogs” at the Royal Court Theatre
Caryl Churchill’s new 10-minute play, Pigs and Dogs, just opened at the Royal Court Theatre, under...
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Alex Nichols’ Critique of Smash Musical “Hamilton”
Hamilton won a number of Tonys and received glowing reviews. Alex Nichols from Current Affairs...
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Dramaturgy Award for Geoff Proehl
TACOMA – Geoff Proehl, professor of theatre arts at University of Puget Sound, has been selected...
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International Festival of Ancient Greek Drama
The International Festival of Ancient Greek Drama is a distinct cultural event with an...
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Cinema Screenings for Russia’s Bolshoi Ballet
The Bolshoi Theater has released a trailer for its new ballet season, which like last year will...
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The Tragedy of Hamlet With an Egyptian Twist in Al-Hanager Theatre
In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...
Read MoreEURODRAM 2016 – Open Call
The call for submissions is now open for EURODRAM 2016! EURODRAM is a theatrical promotion network of works in European, Mediterranean and Central Asian languages. Its main objective is to present works by contemporary...
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The Solipsism of Risk
Australian theatre-maker, Olivia Satchell, explores the subjectivity of risk, and how artists...
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“Venus in Furs” at The Budapest English Theatre
Venus in Fur, the collaborative performance of the Budapest English Theatre and the Prague...
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Ulrike Syha Interviews Dominique Dolmieu
Ulrike Syha: When was Eurodram, a network for drama in translation, founded? What was the initial...
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Tony Allotta & Valeria Colucci Explain Teatro Valle Occupato
In the spring of 2012, TheTheatreTimes.com, along with members of The Fence network, spent a few...
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Lachlan Philpott on the Flux in Australian Programming
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
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Amanda Macri on the Need for Storytellers: New Playwriting in Australia
Amanda Macri, General Manager at Playwriting Australia, writes about the broad range of resilient...
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Anthea Williams on Belvoir’s Important New Season
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
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Cristin Kelly Goes from Expat to Expert in 100 Days
American dramaturg, Cristin Kelly, reflects on her personal project, 100 Aussie Plays in 100 Days,...
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Dramaturg Glenn Saunders on the Australian Approach to the Classics
Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...
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