Dramatist Speaks Up For The Downtrodden And New Thinking In Japan
Fifty-three-year-old Oriza Hirata unexpectedly arrived early for our 9 a.m. interview in a Tokyo...
Read MoreGraduated from Chuo University with a BA in German literature, having written her dissertation on the playwright Bertolt Brecht’s theory of drama. In 2000, she got MA in arts management at City University in London. Afterwards, she began contributing theatre articles to Japan’s leading English-language newspaper, The Japan Times, for which she has now been a regular writer on contemporary drama and dance for more than 15 years. She also writes articles for a number of Japanese-language theatre magazines — including Theater Guide, Higeki Kigeki and Theatre Arts — as well as the programs for a range of stage productions in Japan and England.
Posted by Nobuko Tanaka | 21st Jun 2016 | Interview, Japan, Management
Fifty-three-year-old Oriza Hirata unexpectedly arrived early for our 9 a.m. interview in a Tokyo...
Read MorePosted by Nobuko Tanaka | 16th Jun 2016 | Essay, Japan, Theatre and Dance
The atmosphere at the Imperial Bolshoi Kamenny Theater in St. Petersburg, Russia, must have been...
Read MorePosted by Nobuko Tanaka | 24th May 2016 | Interview, Japan, Musical Theatre
The first thing Yojiro Ichikawa said when we sat down for our recent interview in a Tokyo...
Read MorePosted by Nobuko Tanaka | 13th May 2016 | Directing, Essay, Japan
Acclaimed stage director Yukio Ninagawa was a titan of global theater but his hand felt...
Read MorePosted by Nobuko Tanaka | 28th Apr 2016 | Festivals, Japan, News
In recent years, theater fans and artists here and abroad have increasingly been wakening up to...
Read MorePosted by Nobuko Tanaka | 6th Apr 2016 | Directing, Interview, Japan, Management
He doesn’t officially become Kanagawa Arts Theatre’s artistic director until April 1, but Akira...
Read MorePosted by Nobuko Tanaka | 27th Feb 2016 | Adaptation, Japan, Review
In 2014, rising playwright and director Kenichi Tani translated Harold Pinter’s Old Times for an...
Read MorePosted by Nobuko Tanaka | 25th Feb 2016 | Japan, Playwriting, Review
“At last, the masterpiece Yakiniku Dragon (Korean Barbecue Dragon) is going to be staged again!”...
Read MorePosted by Nobuko Tanaka | 25th Jan 2016 | Japan, Review, Theatre and Dance
“Many people have a preconception about butoh — that it is performed by dancers whose bodies...
Read MorePosted by Nobuko Tanaka | 16th Jan 2016 | Acting, Japan, Review
Tokyo was bathed in warm sunshine in the run-up to 2016, and when Takehiro Hira meets me at a...
Read MorePosted by Nobuko Tanaka | 29th Dec 2014 | Japan, News, South Korea
Tokyo has long been the center of Japan’s theatre world, but in 2014, that began to change,...
Read MorePosted by Nobuko Tanaka | 12th Sep 2013 | Japan, Review, Russia, Transcultural Collaborations
“I have rarely seen a great production of any Chekhov play in Japan. Sometimes, I’ve even wanted...
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