Invisible Diaries: Garden
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. In a moment of freedom...
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Miranda Laurence
Invisible Diaries: Body and Space
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. At the moment, my...
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An Expansive and Permeating Work Embracing Death and Humanity: A Paradox for Our Times: Gregory Maqoma – “Cion: Requiem of Ravel’s Bolero”
In darkness, a quiet sobbing, acutely intimate in the vastness of the Barbican main stage. Now...
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A Quietly Bold Statement from a New Artist with a Lot to Tell: Oona Doherty’s “Hard to be Soft” at Dance Umbrella Festival at Southbank Centre, London
My senses are all awakened. It begins in the darkness. A curl of smoke rises from a dimly lit bowl...
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Taking My Shoes Off: Dramaturgy By Movement
My mode of being, as a dramaturg, begins with looking and continues with language. Much of my work...
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Telling A Thai Tale: A Dance Dramaturg’s Take
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...
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An Intricate Rumination On The Partnership Between Music And Dance
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
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