At the End of the Land: an avalanche of images that invites us to sit alone in time and space together
At the End of the Land, a world premiere production by Western Australian interdisciplinary...
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Leah Mercer
“The Smallest Stage” is an Intricately-Crafted Play for Families about Incarceration – And The Power of Stories
Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...
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Very Genki, Slightly Kitsch, Occasionally Compelling: The Olympic Opening Ceremony Put Humanity in Centre Frame
The rising of the Japanese flag and the singing of the national anthem is the first moment of...
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Part Escape Room, Part Choose-Your-Own Adventure — The Whodunit Whistleblower has The Audience at its Heart
Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...
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Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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