Hayley Malouin

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REVIEW: Patron Saints And Picking Grapes In “Our Lady Of Delicias”

Posted by Hayley Malouin | 20th Jun 2018 | Canada, Review

Hayley Malouin reviews Essential Collective Theatre’s world premiere of Our Lady Of Delicias:...

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“BANG BANG” Is Equal Parts Disarming And Disturbing

Posted by Hayley Malouin | 14th May 2018 | Canada, Review

Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere of Kat...

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The Body Labours Sonorously In Foxconn “Frequency (no. 3)” at The PuSh Festival

Posted by Hayley Malouin | 7th May 2018 | Festivals, Hong Kong, Review

Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...

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Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship

Posted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics

Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...

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“All Those Unnatural Bonds:” Talking Sexuality, Shame, And Female Friendship With Hannah Moscovitch

Posted by Hayley Malouin | 30th Mar 2018 | Canada, Interview, Playwriting

Alt.theatre web editor Hayley Malouin interviews playwright Hannah Moscovitch about female...

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Sitting With Amanda Parris’ “Other Side Of The Game”

Posted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics

Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...

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