Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the venerated Comédie-Française troupe in tow to present The Damned. The production is an adaptation…
Read More
…opportunity to touch the very first version of Molière’s text, becoming spectators of Ivo van Hove’s performance at the Comédie Française, Molière’s home. Of course, this is not quite the…
Read More
…she had intended. In 2022 she took part in many performances at the Rallye Moi(s) Theatre festival at Antananarivo’s Ivokolo Analakely Malagasy Cultural Centre. Even though they self-produce each show,…
Read More
…Soul, it will be echoed by the language of overcoming censorship in Ivo van Hove’s production of the Three-act version, censored by Louis XIV Tartuffe or the Hypocrite by Molière,…
Read More
…in the financial hub that is the economic capital of Côte d’Ivoire, embraces an expressly commercial function; since its first edition in 1993, the event has provided artists with the…
Read More
…Optics of Art” symposium. It brought contemporary media and performance artists Benjamin Vandewalle, Julien Maire, and Sarah Vanagt into dialogue with scholars from theatre studies, history of science, and cognitive…
Read More
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we are safe because we keep silent. On 27 July a small group…
Read More
…work evokes that seen on bigger stages, most notably the recent production of The Damned by Ivo van Hove at Manhattan’s Armory over the summer. Kate McGee’s atmospheric lighting design…
Read More
In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the Earth, took place at the Teatro EDP Gran Vía in Madrid. The…
Read More
…actorly vanity and insecurity up against the quirky vanities and insecurities of Chekhov’s characters and holds the result up to us as a fabulously silly mirror that’s also profoundly illuminating….
Read More
…is aghast. Both these actors are worth seeing whatever the ambivalences in Morgan’s script. Uncle Vanya, Lila Neugebauer, Vivan Beaumont Theater, USA, 2024, photo credits: Marc J. Franklin. Uncle Vanya,…
Read More
…– as symbols of consumer society and as representatives of consumerism in their gardens. The title of the novel by Jurica Pavičić, as well as the dramatization by Ivor Martinić,…
Read More![“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the solemnity of the AI biometric cinematic opera “Language Is Leaving Me” with its themes of…
Read MoreEllen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. I: Visual AI is at the heart of this piece, almost like…
Read More
…similar to the Catholic one. She names women through a megaphone: (…) Antonina, Ivory Tower/Monika Ivory Tower/My name is Monika/I AM THE BORDER/My body is the border. Then she undresses,…
Read More
…of French republicanism. In this, her approach aligns with that of the French-Ivorian scholar Maboula Soumahoro who, in her essay on race in France, Le Triangle et l’Hexagone: Réflexions sur…
Read More
…the stage, even in an unfamiliar language, adds a special aura to the audience’s perception of the production. Leaning Church, directed by Radovan Lipus, is a production of the Czech…
Read More
…be seen as uniquely American signs, to riff on the title. Problems can be looked upon from the Australian vantage point as happening “over there.” This raises at least two…
Read More
…little in a boiling cauldron until it vanished completely (Bolaño 887). Bolaño never announces what is of paramount importance. Rather, he requires of his reader something like the “evenly hovering…
Read More
…Alvarez. Photo Tom Van Eynde Alvarez is currently preparing for an exhibition at the GRAY NEW YORK gallery. Her work will be featured alongside pieces by Bob Thompson, an artist…
Read More
“Laughs In Spanish” Review 25th June 2024 
“The Pillars of the Earth”: The… 12th March 2025 
I Am Not Afraid For The Future Of The Theatre 2nd April 2025 
Back to the Updated Future: Rock Opera… 21st July 2024 
