Dialoguing With The Classics In Madrid: “La Fortaleza/The Fortress” And “Macho Grita/Alpha Male Shouts”
Twenty-first-century theatre practitioners in the west typically fear irrelevance more than...
Read MorePosted by Duncan Wheeler | 16th Aug 2024 | Review, Spain, Theatre and Politics
Twenty-first-century theatre practitioners in the west typically fear irrelevance more than...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Italy, Review, United Kingdom
The five-hundred-year history of Italy’s Commedia dell’Arte is neatly packed into Masquerade, a...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Spoken word poetry has a huge following in the UK, and Luke Wright is one of the most talented...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On the Edinburgh Fringe the number of plays investigating climate change is growing each year, and...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026