The Many Publics Of “The Marché Des Arts Du Spectacle D’Abidjan”
The Marché des Arts du Spectacle d’Abidjan (Abidjan Market for Performing Arts), or MASA, is one...
Read MorePosted by Brian Valente-Quinn | 30th Jul 2024 | Côte d'Ivoire, Essay, Festivals, Transcultural Collaborations
The Marché des Arts du Spectacle d’Abidjan (Abidjan Market for Performing Arts), or MASA, is one...
Read MorePosted by Margaret Rose | 28th Jul 2024 | Festivals, Italy, Review, Transmedia
This year’s Theatre Biennale (15 to 30 June), entitled, Niger and Albus (Black and White), sees...
Read MorePosted by Övgü Ülgen | 26th Jul 2024 | Canada, Review, Theatre and Politics
It is May 4, 2024, in Montreal, and I walk on Rue Bélanger as the night is approaching on this...
Read MorePosted by Anda Cadariu | 25th Jul 2024 | Interview, Playwriting, Romania
Ingeborg von Zadow and Elise Wilk in dialogue with Anda Cadariu Fabulamundi. Playwriting Europe. New Voices is a European project which aims to bring contemporary playwriting closer to the younger generations, addressing young...
Read MorePosted by Kate Hunter | 24th Jul 2024 | Adaptation, Australia, Review
What if significant portions of William Shakespeare’s text for Macbeth had been lost, leading to a...
Read MorePosted by Azadeh Kangarani | 24th Jul 2024 | Review, Transcultural Collaborations, United States of America
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read MorePosted by The Theatre Times | 22nd Jul 2024 | News, United States of America
Posted by Walter Byongsok Chon | 22nd Jul 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read MorePosted by Lisa Monde | 21st Jul 2024 | France, Interview, Musical Theatre, Review
In 1979 the very first French iconic rock opera – Starmania, created by Michel Berger...
Read MorePosted by Kirk Dodd | 20th Jul 2024 | Australia, Dramaturgy, Review, Sydney
It is a common reflex to reach for Aristotle’s Poetics to determine what a good tragedy should be....
Read MorePosted by Ilinca Todoruţ | 20th Jul 2024 | Essay, Europe, Theatre and Science
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
Read MorePosted by Shilpa Anandraj | 20th Jul 2024 | Festivals, India, News
Four plays will be staged on July 20 as part of SmaranniK Theatre Festival 2024. “The plays will...
Read MorePosted by Gill Foster | 19th Jul 2024 | Musical Theatre, Review, United Kingdom
In the preface to The Picture of Dorian Gray (1890), Oscar Wilde wrote: “There is no such thing as...
Read MorePosted by Molly Grogan Zolima CityMag | 19th Jul 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read MorePosted by Margaret Rose | 18th Jul 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
Read MorePosted by Molly Grogan Zolima CityMag | 17th Jul 2024 | Hong Kong, Review, Theatre and Politics
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
Read MorePosted by Sarah Austin | 16th Jul 2024 | Australia, Festivals, Melbourne, Review
Rising situates itself as a festival of new art, performance and music that takes place in the...
Read MorePosted by Huw Griffiths | 16th Jul 2024 | Adaptation, Australia, Review
The figure of Dracula has always lived somewhere between the written word, screen projections and...
Read MorePosted by Kasia Lech | 15th Jul 2024 | Education, Essay, Poland, Theatre and Politics
How do we train students to work within rapidly changing landscapes and for a theatre of the...
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