The Dismantling of Mourning
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
Read MorePosted by Elizabeth Steinway | 7th Apr 2022 | Education, Essay, Theatre and Gender
Curious Kids is a series for children of all ages. If you have a question you’d like an expert to...
Read MorePosted by Antonio Hernández Nieto | 6th Apr 2022 | Argentina, Festivals, News, Spain, Transcultural Collaborations
February is summer in Argentina, and most Argentinian theaters and companies are on holiday....
Read MorePosted by William Peterson | 5th Apr 2022 | Australia, LGBTQ+ Theatre, Musical Theatre, Review
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
Read MorePosted by Nobuko Tanaka | 4th Apr 2022 | Japan, Musical Theatre, Review
It’s an age-old question: Which is more important in determining the course of our lives, nature...
Read MorePosted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
Read MorePosted by Aleks Sierz | 2nd Apr 2022 | Adaptation, Directing, London, Review, United Kingdom
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
Read MorePosted by Aleks Sierz | 1st Apr 2022 | Playwriting, Review, Theatre and Gender, United Kingdom
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026