February 2022 - Page 2 of 2 - The Theatre Times

Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs

Posted by Tomasz Wiśniewski | 9th Feb 2022 | Essay, Playwriting, Poland

INTRODUCTION This article is comparative in approach and introduces the work of two classic...

Passing a Relighted Torch. “Angry, Raucous & Shamelessly Gorgeous”

Posted by Donald Brown | 8th Feb 2022 | Review, Theatre and Gender, United States of America

Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...

“Theatre of the Real”: How Artists at Perth Fringe World are Stripping Down to Reveal Their Vulnerabilities

Posted by Claire French | 7th Feb 2022 | Australia, Devised Theatre, Review

At this year’s Fringe World Festival in Perth, the “theatre of the real” is everywhere: theatre,...

“We are a Nation of Jailers”: “Jurrungu Ngan-ga” is a Whirlwind of Bodily Resistance

Posted by Kate Maguire-Rosier | 6th Feb 2022 | Australia, Review, Sydney, Theatre and Politics

Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...

“The Museum of Modern Love” Reminds Us to Engage with Art – and Each Other

Posted by Gabrielle Edelstein | 5th Feb 2022 | Australia, Review, Theatre and Art

When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...

How “Biryani Durbar” Explores the Politics of Food

Posted by Ruth Dhanaraj | 4th Feb 2022 | Applied Theatre, India, Interview

Biryani Durbar, recently staged in Bengaluru, shows how roles reverse when opportunity presents...

Renowned Egyptian Costume Designer Naiema Agamy Dies on Monday

Posted by Ati Metwaly | 3rd Feb 2022 | Design, Egypt, News

Award-winning Egyptian designer Naiema Agamy, who worked over decades with the best-known...

“Peggy For You,” Hampstead Theatre

Posted by Aleks Sierz | 2nd Feb 2022 | Directing, London, Management, Review, United Kingdom

Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...

“The Glow,” Royal Court

Posted by Aleks Sierz | 1st Feb 2022 | London, Review, Theatre and Gender, United Kingdom

Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...

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Month: February 2022

Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs

Passing a Relighted Torch. “Angry, Raucous & Shamelessly Gorgeous”

“Theatre of the Real”: How Artists at Perth Fringe World are Stripping Down to Reveal Their Vulnerabilities

“We are a Nation of Jailers”: “Jurrungu Ngan-ga” is a Whirlwind of Bodily Resistance

“The Museum of Modern Love” Reminds Us to Engage with Art – and Each Other

How “Biryani Durbar” Explores the Politics of Food

Renowned Egyptian Costume Designer Naiema Agamy Dies on Monday

“Peggy For You,” Hampstead Theatre

“The Glow,” Royal Court

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