All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
Read MorePosted by Trevor Boffone | 31st Jul 2021 | Covid-19, Essay, Transmedia, United States of America
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
Read MorePosted by Lara Cox | 30th Jul 2021 | Australia, Avignon 2021, France, Immersive Theatre, Review
One of the highlights of this year’s Avignon Festival was Boxing Shadows, written especially by...
Read MorePosted by Colden Lamb | 29th Jul 2021 | Design, Interview, United States of America
For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...
Read MorePosted by Leah Mercer | 28th Jul 2021 | Japan, Review, Theatre and Politics
The rising of the Japanese flag and the singing of the national anthem is the first moment of...
Read MorePosted by Alexander Fatouros | 27th Jul 2021 | New York, Review, Theatre and Art, Transmedia, United States of America
Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...
Read MorePosted by Maria Pia Pagani | 26th Jul 2021 | Festivals, Italy, News
Founded in 1985, the Music Day is an event held on June 21st every year, in order to celebrate the...
Read MorePosted by Nobuko Tanaka | 25th Jul 2021 | Adaptation, Japan, Review, Theatre and Politics
William Shakespeare is one of the world’s most influential playwrights, but his life continues to...
Read MorePosted by Athira M | 24th Jul 2021 | India, News, Theatre and Politics, Transmedia
Clubhouse is taking over social media in a big way. The invitation-only, audio-only app is...
Read MorePosted by Jingyi Zhang | 23rd Jul 2021 | Review, Theatre and Opera, United States of America
Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...
Read MorePosted by Niloofar Mohtadi | 22nd Jul 2021 | Covid-19, Iran, Participatory Theatre, Review, United States of America
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
Read MorePosted by Baobab van de Teranga | 21st Jul 2021 | Essay, Theatre and Dance, Theatre and Decolonization, Theatre and Politics
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
Read MorePosted by Heidi Norman and Jennifer Newman | 20th Jul 2021 | Australia, Review, Sydney
Wesley Enoch’s exuberant return to the Sydney Theatre Company to direct African-American...
Read MorePosted by Szymon Adamczak | 19th Jul 2021 | Essay, Poland, Theatre and Politics
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
Read MorePosted by Ronei Vieira Nogueira and Robson Corrêa de Camargo | 18th Jul 2021 | Adaptation, Between.Pomiędzy 2021, Brazil, Essay, Festivals, Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
Read MorePosted by Gowri S | 17th Jul 2021 | Review, South Korea, Theatre for Young Audiences
Junk Clown, a Korean play for children, brings the concept of recycling to the table through mime....
Read MorePosted by Taiwo Afolabi | 16th Jul 2021 | Canada, Essay, Theatre and Politics
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
Read MorePosted by Robert White | 7th Jul 2021 | Australia, Books
John Bell’s new book Some Achieve Greatness is but the latest to use Shakespeare’s works to...
Read MorePosted by Tonderai Chiyindiko | 6th Jul 2021 | Acting, Review, South Africa
Percy Mtwa, the legendary playwright and director of multiple award-winning theatre productions,...
Read MorePosted by Mark Byron | 5th Jul 2021 | Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Achuthan T K | 4th Jul 2021 | India, News
With few practitioners and fewer resources, Koodiyattam faces an uncertain future. Of all the...
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