Street Play “Sheher-e-Naqab” Brings Awareness About Coronavirus
Originally a street play, Sheher-e-Naqab was put together by Pune-based group Swatantra Theatre....
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Month: April 2020
Drama During COVID-19: How Theatre is Going Online
From play-readings and performances on Facebook live to apps that access playscripts, the online...
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Cultural Warriors Call It A Day
One unexpected casualty of these beleaguered times is a relatively young arts organization that...
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“A Little Life”: Adaptation and Mixed Reality
There’s a colloquialism within the theatre community that ‘you know lighting design is good when...
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A Celebration of Love, Nature, and German Lied with 92Y
On February 13th, 2020, 92Y celebrated German Lied with Beethoven and Schumann song cycles...
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“Paradise Blue:” An Ode to the Soundtrack of the African American Life – Jazz
Paradise Blue is perhaps the more famous in the trilogy of plays called The Detroit Project...
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Ten Years of Providing Young Performers with a Theatre Platform
It’s an ordinary Saturday morning. The October sun is already hitting hard, I am sweating. I am in...
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The Power of Proximity and the Theatre of Touch: What Losing Live Audiences May Mean for Theatre
Being close to others is intrinsically associated with theatre. In Shakespeare’s London, theatre...
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The Story Behind Andrew Ssebaggala’s “Mother Uganda”
Rose Mbowa is an indubitable doyenne in Uganda’s theatre. At Makerere University, an ivy league of...
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Juan Mayorga: A View from Madrid
In late March, as Spain experienced the effects of Coronavirus lockdown, publishing house uÑa RoTa...
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“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...
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As We Turn to Creativity in Isolation, The Coronavirus is a Calamity on Top of an Arts Crisis”
Some years ago, I traveled to Israel for a conference on dramaturgy. Losing my way at the train...
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TheTheatreTimes.com Launches the Second Edition of IOTF: International Online Theatre Festival
IOTF: THE SECOND INTERNATIONAL ONLINE THEATRE FESTIVAL “In a world where you can be anything . ....
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La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”
My Stay Is Almost Done and I Don’t Belong to Anyone is the story of a desperate search for love...
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“One Man, Two Guvnors” at The National Theatre
Armchair theatre-lovers rejoice. During the lockdown, the National Theatre is streaming a...
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A Mid-Pandemic Letter To The City Of Ottawa From A Young Theatre Critic (CC: GCTC’s Daisy)
It’s been a strange few weeks. Despite the unprecedented scope of this cultural wound, I write to...
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Donald Howarth (1931-2020) Playwright and Director – an Obituary.
Donald Howarth, who has died in London aged 88, was one of the celebrated generation of...
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“Dance Nation” Review: An Outrageous Depiction of Girls Grasping their Emerging Sexuality and Power
Review: Dance Nation, directed by Imara Savage. State Theatre Company South Australia and Belvoir...
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Interview with Playwright David Lescot
Guillaume Clayssen, a fellow playwright, interviewed David Lescot on his newest piece in June 2016...
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After the Plague, Shakespeare Imagined a World Saved from Poison, Slander and the Evil Eye
Shakespeare lived his life in plague-time. He was born in April 1564, a few months before...
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