Edinburgh Festivals: How They Became the World’s Biggest Arts Event
The Edinburgh Festival is upon us again, a three-week spectacular that turns the Scottish capital...
Read MorePosted by Kenneth Wardrop and Anna Leask | 7th Aug 2016 | Essay, Festivals, Scotland, United Kingdom
The Edinburgh Festival is upon us again, a three-week spectacular that turns the Scottish capital...
Read MorePosted by David McInnis | 5th Aug 2016 | Australia, Review
While the rest of the world is marking the 400th anniversary of William Shakespeare’s death,...
Read MorePosted by Will Worley | 4th Aug 2016 | Musical Theatre, New York, News, Participatory Theatre, Theatre and Politics, United Kingdom
A “profound and numbing” play dedicated to the powerful psychedelic drug ketamine is due to open...
Read MorePosted by Ilinca Todoruţ | 3rd Aug 2016 | Interview, Transmedia
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
Read MorePosted by Lucy Rose Coren | 2nd Aug 2016 | Dramaturgy, Essay
The role of the dramaturg within text-based theatre is currently prescriptive and limiting. There...
Read MorePosted by The Theatre Times | 2nd Aug 2016 | LGBTQ+ Theatre, Review, United Kingdom
Caryl Churchill’s new 10-minute play, Pigs and Dogs, just opened at the Royal Court Theatre, under...
Read MorePosted by Bryoni Trezise | 2nd Aug 2016 | Australia, Essay, Theatre and Disability
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
Read MorePosted by Alexandra Coghlan | 1st Aug 2016 | Australia, Interview, Theatre and Opera
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
Read MorePosted by Mara Valderrama | 1st Aug 2016 | News, Spain
The Almagro Classical Theatre Festival held its 39th edition this month of July, with a special...
Read More