Edinburgh Festivals: How They Became the World’s Biggest Arts Event
The Edinburgh Festival is upon us again, a three-week spectacular that turns the Scottish capital...
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Month: August 2016
Marlowe’s “Edward II” at Melbourne’s Malthouse Theatre
While the rest of the world is marking the 400th anniversary of William Shakespeare’s death,...
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What is “Ketamine: The Musical?”
A “profound and numbing” play dedicated to the powerful psychedelic drug ketamine is due to open...
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Christina Papagiannouli on Cyberformance, Online Theatre, and Pokémon GO
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
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The Dramaturgical Notion of Counter-text
The role of the dramaturg within text-based theatre is currently prescriptive and limiting. There...
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Caryl Churchill’s “Pigs and Dogs” at the Royal Court Theatre
Caryl Churchill’s new 10-minute play, Pigs and Dogs, just opened at the Royal Court Theatre, under...
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“Twelfth Night” and Cross-Mobility Casting
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
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Maverick Director Barrie Kosky On Rescuing Opera From The Taste Police
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
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The Classical Theatre Festival in Almagro Closes a 39th Edition Dedicated to Cervantes
The Almagro Classical Theatre Festival held its 39th edition this month of July, with a special...
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