“Diversity Is Not A Policy, It’s Life.” Giles Terera On “Hamilton” And The Future Of Diversity In London Theater
Giles Terera has won armies of fans and an Olivier award for his performance as Aaron Burr in the...
Read MorePosted by Jessica Barrett | 28th May 2018 | Interview, London, Musical Theatre, United Kingdom
Giles Terera has won armies of fans and an Olivier award for his performance as Aaron Burr in the...
Read MorePosted by Aleks Sierz | 25th Apr 2018 | Documentary Theatre, London, Participatory Theatre, Review, United Kingdom
It’s been a golden week for James Graham, British theatre’s wonder boy. After winning an Olivier...
Read MorePosted by Aleks Sierz | 23rd Apr 2018 | Acting, Documentary Theatre, London, Review, United Kingdom
There are few things more British than talking about the weather. What makes this play about a...
Read MorePosted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom
Every great playwright has to have both an identifiable style and the ability to innovate and...
Read MorePosted by Aleks Sierz | 21st Mar 2018 | London, Review, Theatre and Politics, United Kingdom
Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our...
Read MorePosted by Aleks Sierz | 7th Mar 2018 | London, Review, United Kingdom
Whatever the weather, this week is Frozen. On Broadway, the Disney musical of that name begins...
Read MorePosted by Bernadette McNulty | 25th Feb 2018 | Acting, London, News, United Kingdom
Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...
Read MorePosted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
Read MorePosted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
Read MorePosted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
Read MorePosted by Aleks Sierz | 17th Oct 2017 | Dramaturgy, London, Review, United Kingdom
Some plays would now be completely forgotten if not for a scandal that makes them memorable. NC...
Read MorePosted by Aleks Sierz | 17th Sep 2017 | Adaptation, London, Review, United Kingdom
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
Read MorePosted by Bernadette McNulty | 22nd Jul 2017 | Festivals, Musical Theatre, United Kingdom
If the choice of a female Doctor Who still has the power to shock and challenge, then we have not...
Read MorePosted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
The recent general election result proves that the power of the rightwing press has diminished...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
Read MorePosted by Aleks Sierz | 30th Aug 2016 | London, News, United Kingdom
Some of the best shows on the London stage hail from across the pond, and more American delights...
Read MorePosted by Aleks Sierz | 17th Mar 2013 | Adaptation, London, Review, United Kingdom
Science is an area of perennial fascination for the theatre. In the past, plays as various as Tom...
Read MorePosted by Phoebe Taplin | 4th Jan 2013 | Adaptation, Review, Russia
A traditional version of Anton Chekhov’s play gets West End glamor and charm but lacks conviction....
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