Tim Crouch’s “The Tempest” at The Globe
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read MorePosted by Duška Radosavljević | 1st Apr 2026 | London, Review, United Kingdom
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read MorePosted by Alexa Alice Joubin | 7th Jun 2021 | Canada, Essay, Transmedia
Although tragedy is not usually the preferred companion for hard times, Anglophone pop culture...
Read MorePosted by Konrad Zielinski | 8th May 2020 | Poland, Polish Theatre Abroad, Review
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
Read MorePosted by Adam Sherwin | 7th Feb 2017 | Theatre and Politics, United Kingdom
Emma Rice, the artistic director of Shakespeare’s Globe ousted for introducing modern sound and...
Read MorePosted by Aida Rocci | 19th Jan 2017 | News, Spain, Transcultural Collaborations, United Kingdom
Rodrigo Arribas (from Span’s Fundación Siglo de Oro) describes the transnational collaborative process that gave rise to his company, which has been the first to present a non-English speaking author at the Shakespeare Globe. Reflecting on the models that have arisen from the collaboration between Spain and the UK, he reflects on what differentiates and unites us in theatre.
Read MorePosted by Sheila T. Cavanagh | 3rd Nov 2015 | Essay, Translation, United Kingdom
An uproar ensued after it was reported that the Oregon Shakespeare Festival (OSF) – southern...
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